Index of Titles Filed Under 'Rock Music'

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Part 1: Jamillah James (with introductions by Jenny Schlenzka and Gordon Hall) Part 2: Edie Fake Part 3: Alexis Blair Penney Press Release Download Poster (11″ x 17″, 300 dpi) Introductory reading “What Thinks Me Now” by John Baldessari (.pdf)
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PublisherZer0 Books2013
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.
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PublisherFundación Cisneros2013
Jac Leirner in conversation with/en conversación con Adele Nelson presents an extended dialogue between the Brazilian conceptual artist, Jac Leirner (b. 1961), and writer and art historian Adele Nelson, with an introductory essay by Robert Storr. Leirner’s meticulously constructed works carve out a place for commonplace objects, from cigarette packs and plastic shopping bags to cutlery and currency. In this, the first in-depth study of Leirner’s creative process, Nelson interviews the artist about more than two decades of production. Jac Leirner, born in 1961 in São Paulo, emerged in the early 1990s at the forefront of a new transnational generation of ...
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‘It doesn’t seem to me that anyone has discovered much that’s new since the Illiad or the Odyssey’ Raymond Queneau ‘The audience, which consisted largely of bikers, was unusually hostile, and Iggy, as usual, fed on that hostility, soaked it up and gave it back and absorbed it all over again in an eerie, frightening symbiosis. “All right,” he finally said, stopping a song in the middle, “you assholes wanta hear ‘Louie Louie’ we’ll give you ‘Louie, Louie.’” So the Stooges played a forty-five-minute version of ‘Louie Louie’” Lester Bangs Devised and presented by Dan Fox, words by Raymond Queneau Tracklisting:   Louie Louie – Richard Berry ...
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A French-Pop-Special-Guest-Podcast by our friends at Stop Making Sense – Yann Chateigné, Tiphanie Blanc & Vincent Normand Introduction penned by Mr. Dan Fox & performed by Mr. Nathaniel Mellors It was late. Wind howled through the dark outside the windows of the Novotel Krakow Centrum. The four men had been locked for nine days in the hotel’s Pope John Paul II Honeymoon Suite, surviving on a diet of lager and garage-bought sandwiches, delivered to them every hour by a silent seven-foot-tall thug known only as Tadeusz. The absurdist theatre sessions the men had been subjected to by their captors had become steadily ...
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Tracklisting: 1. Jingle Bell Rock – The Fall 2. All I Want for Xmas Is My 2 Front Teeth – Spike Jones & his City Slickers 3. Christmas Time is Coming (A Street Carol) – Stormy Weather 4. Holy Man – Dennis Wilson 5. Ghostface Xmas – Ghostface Killah 6. The Beatles Xmas Song (1968) – The Beatles 7. Stilla Natt – Ulla Katajayouri 8. Take Me Home Jesus – Link Wray 9. Spread a Little Love on Xmas Day – Destiny’s Child 10. Hark The Herald Angels Sing – The Fall 11. Hamburger Xmas – The Throbbing Yoko, Plastic John & Gristle Band 12. JA Xmas Advertorial 2014 – Elven Jones
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As the Junior Aspirin Records label HQ moves its operations to a remote and heavily-fortified anarcho-syndicalist commune in the Pacific Northwest in anticipation of the total collapse of civic society after the 8 November election, label co-founder, writer and editor Dan Fox has made a rare trip into the city, finding time in his busy urban guerilla warfare training schedule to pop into SoHo, do a little shopping, and rig the US presidential election for this post-pre-post-truth liberal media elite conspiracy-thon. From Dead Kennedys to The Shangri-Las, from ABBA to Jay-Z, a caucus of paranoid political pundits, so desperate to ...
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0.00 (mystery extract) Who knows where this is from? It may even be elsewhere on this mix. Who can say? Bootlegs throw up funny things like this. They are also of, ahem, variable audio quality. 2.13 The Gymnasium, NYC, April 7 or 8, 1967 The song’s about a year old now, having been trotted out in the summer of ’66 according to a setlist, but they say this is the earliest recording. The Gymnasium, incidentally, was a real gymnasium that Andy thought was cool. The bootleg of this whole(?) show is really great. The Velvets are starting to form their Andy-less identity as ...
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PublisherTriple Canopy2020
“The sound of being together—or of being packed together, forced together.” An essay on Tina Turner and segregation, the power of the Top 40 and the prospect of being heard without being controlled.
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PublisherNew Models2019
When Spotify was founded in 2006, it aimed to solve the problem of online music distribution, remunerating artists for plays. 13 years on, it is a massive data node that is having a profound effect on how artists and audiences connect. In this cast, New Models speaks with music journalist Liz Pelly, who has written extensively on Spotify, particularly its impact on independent music. She talks to us, here, about Spotify’s structure, how it nudges artists to optimize their acts through metrics, and what it understands “music” (let alone “independent”) culture to be. Liz also gives an update on community ...
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PublisherMACBA2006
Diedrich Diederichsen (Hamburg 1957) lives and works in Berlin. In the eighties, he was an editor of music magazines such as Sounds and Spex and in the nineties, he taught at art academies and universities in Germany, the United States and Austria. He teaches at Merz Akademie, Stuttgart. He has published many books and is a regular contributor to magazines such as Art Forum, Texte zur Kunst, Tageszeitung and SüddeutscheZeitung. On 1998, Diedrich Diederichsen was invited to give a conference at MACBA in the context of the seminar Out of Actions celebrated as part of the Out of Actions exhibition. This ...
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PublisherLateral Addition2016
Late last year, I visited Christopher Knowles in his studio on 20th street in New York City to discuss his contribution to this publication. Knowles shares the studio with his wife, the artist Sylvia Netzer, and the three of us sat down and listened to many of Knowles’s recordings before he decided on the one he wanted to include. As we played a selection of the sound works, most of which were created in the 1970s and early 1980s, Knowles spoke about the condition of each tape’s production. He readily called to mind where he made each tape, the day ...

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