Index of Titles Filed Under 'Science Fiction'

PublisherUnivocal Publishing2016
Throughout a large part of the 1980s, Félix Guattari, known for his collaborations with Gilles Deleuze and his experimental and groundbreaking practices in psychotherapy, decides to shift his experimental work into a different medium of artistic and creative thought practice: the world of science fiction. Part self-analysis, part cinematic expression of his theoretical work, Guattari’s screenplay merges his theoretical concepts with his passion for comic books, free radio movements, and film. So begins Guattari’s journey to write a screenplay wherein a group of squatters makes contact with a superior intelligence coming from the infinitely small Universe of the Infra-quark (UIQ). ...

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William Gibson’s poem played from a 3½-inch diskette on a 1992-era Mac computer running the System 7 operating system. When the diskette ran, the text of the poem scrolled up the screen (accompanied by infrequent sound effects: a camera shutter click, a gun going off) while an encryption program on the diskette encoded each line and made the poem “disappear” after its first reading. On December 9, 2008—the sixteenth anniversary of the original “Transmission” event debuting Agrippa—The Agrippa Files was aided by the Maryland Institute for Technology in the Humanities and the Digital Forensics Lab at University of Maryland, College Park, ...

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The film charts the journey of an artist–filmmaker who is led astray from her attempts to make a documentary in Los Angeles by the mysterious history of a deceased male artist named Amboy. Amboy’s storyline is expressed with a disorienting array of cinematic strategies taken from feature films,documentaries, B–movies, and home–video style recordings. The conflation of these approaches takes place in an exhibition environment: one that includes photographic prints and readymade objects taken from the actual site of Amboy, a ghost town in the Mojave desert that serves as the central location of the film. Scholz, a painter and filmmaker, edited, ...

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This collection of PDFs tracks the evolution of the graphic design of Alcor’s magazine. From the dry zine-like feeling of the mid 80s, it moves into a sci-fi head shop aesthetic in the early 2000s, and more recently settles into the feel of a drab trade publication. Each issue features a chart tracking membership, broken down by geography as well as whether they are currently alive or have been frozen. The magazine focuses on the cultural acceptance of Cryonics, recent scientific developments (like CRISPR gene editing) and an ongoing history of Alcor itself. There is something exhausting about reading Cryonics. ...

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PublisherUrbanomic2018
Compiled by Philip Sanderson and mixed by DJ Huysmans, a mix made to accompany the Ballardian Breakfast Briefing virtual launch event for Applied Ballardianism.

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PublisherDel Rey2011
In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak. Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language. When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe ...

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PublisherThe Funambulist2014
This conversation with Martin Byrne aims at introducing the rich literary work of science fiction author Philip K. Dick (1928-1982). We explore together his recurrent hypotheses of overlapping realities, the idea of entropy of matter and mind as expressed through the neologisms of kipple and gubble, the question of what is a human being thanks to the character of the android, and finally Dick’s mysticism through his exegesis. Dick’s work has been adapted many times in cinema and is recurrently quoted in current events, as his inexhaustible imagination has depicted more or less near futures which base tell us something about our present. Martin ...

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PublisherHalmos2010
Written in 1733, Memoirs of the Twentieth Century is widely regarded to contain the earliest known conception of time-travel and, in particular, the first cognitive leap that would allow for a historicized image of the present as seen from the point of view of a distant future. Intriguingly, it is the text itself which is claimed to have traveled back in time and Madden has used this conceit to satirize his own period – tracing out its bureaucratic absurdities into a strange yet pointed vision of the late 20th century: a world politically fraught, overwhelmed with corruption and struggling to ...

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PublisherMetropolarity2013
Journal of Speculative Vision & Critical Liberation Technologies We were born in a pixelated summer, desperate for a space where technology and community could intersect. We at Metropolarity believe that those without power must take advantage and control the meda outlets that we have access to. We choose science fiction as our lens to create new worlds and identities and to destroy old, harmful ones. Hear our memes. Let them overtake you. Join us.

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PublishersNownessWangechi Mutu2014
To create, for me, is to come up with something new as opposed to destroying,” explains Nairobi-born, Brooklyn-based artist Wangechi Mutu, whose brightly hued collages, films and installations provoke both aesthetic pleasure and a sense of chaos. “I want to make something in which the viewer can lose themselves, away from the hardness and banality of life, and see what it’s like to be human.”

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PublisherJan Kaps2018
Science fiction auteur, paperback revolutionary, agile co-occupant of literary and art worlds, admirably independent mind Mark von Schlegell is an ideal curator-guide for the bizzarro world of nineteenth century American literature. The rift in history made in the writing of Poe, Emerson, Douglass, Dickinson, Melville, Hawthorne, Henry James et al, Schlegell identifies as a fictional machine through which literary worlds become possible words, then makes a Carrollian flip into the mirror, a splash into the glass, as Cocteau showed us in Orphée. Burroughs called it the “pre-recordings”—the deep code out of which reality is projected. Schlegell calls it the Realometer…

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PublisherThe Funambulist2014
This conversation with Sophia Azeb is the first of a series recorded along the American and Canadian West Coast. Sophia and I talk about our frustrations to see the lack of imagination offered by the “solutions” (a highly problematic term) often given to end what remains problematic to call “the Israeli-Palestinian conflict.” In opposition to the traditional “two-state solution” and “one-state solution,” Sophia proposes a “no-state solution,” that refuses the recognition of any property on the land and thus, state-sovereignty. We talk about the land being practiced by the bodies, and the bodies being fragments of the land, through a ...

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PublisherPunctum Books2014
The Funambulist Pamphlets is published as part of the Documents Initiative imprint of the Center for Transformative Media, Parsons The New School for Design, a transdisciplinary media research initiative bridging design and the social sciences, and dedicated to the exploration of the transformative potential of emerging technologies upon the foundational practices of everyday life across a range of settings. Vol. 09_Science Fiction includes: Introduction: When James Graham Ballard meets Philip K. Dick, What do They Talk About? — Science Fiction as an Inventor of Dilemmas: From Utopia to Apocalypse by Peter Paik — 2037 by Raja Shehadeh — Collision, Sexuality and ...

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The Hard Problem: An Audio Voyage, by Kim Stanley Robinson, Adam Tinkle, Marina Abramović and the Arthur C. Clarke Center for Human Imagination. In winter of 2015, the Clarke Center produced a collaborative project with the performance artist Marina Abramović and the science fiction author Kim Stanley Robinson. The multi-day workshop cultivated a series of interactions between a story that Stan was writing about a multi-generational spaceship heading to another star, and the performance art gestures of Marina’s that are a journey into our inner self. We improvised readings and performance actions to find the ways in which these seemingly ...

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PublisherHalmos2015
“You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time…there will come a generation…which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.” E.M. Forster wrote his one work of dystopian science fiction, The ...

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