Index of Titles Filed Under 'Software'

PublisherMeson Press2019
Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.”
PublisherAutonomedia2006
The site of curatorial production has been expanded to include the space of the Internet and the focus of curatorial attention has been extended from the object to processes to dynamic network systems. As a result, curatorial work has become more widely distributed between multiple agents, including technological networks and software. This upgraded ‘operating system’ of art presents new possibilities of online curating that is collective and distributed – even to the extreme of a self-organising system that curates itself. The curator is part of this entire system but not central to it. The subtitle of the book makes reference ...
PublisherAutonomedia2009
‘Today we are facing extreme and most dangerous developments in the thought of security. In the course of a gradual neutralisation of politics and the progressive surrender of traditional tasks of the state, security imposes itself as the basic principle of state activity. What used to be one among several decisive measures of public administration until the first half of the twentieth century, now becomes the sole criterion of political legitimation. The thought of security entails an essential risk. A state which has security as its sole task and source of legitimacy is a fragile organism; it can always be ...
This collection brings together artists, curators, programmers, theorists and heavy internet browsers whose practices make critical intervention into the broad concept of execution. It draws attention to their political strategies, asking: who and what is involved with those practices, and for whom or what are these practices performed, and how? From the contestable politics of emoji modifier mechanisms and micro-temporalities of computational processes to genomic exploitation and the curating of digital content, the chapters account for gendered, racialised, spatial, violent, erotic, artistic and other embedded forms of execution. Together they highlight a range of ways in which execution emerges and ...
Régine Debatty, Belgian curator, critic and blogger, writes about the art of Evan Roth, focusing on his TSA Communication project. Evan Roth is a graffiti artist, a hacker and an open source coder. He believes in the free circulation of anything that is digital. His works with F.A.T. lab steer attention onto the fantastic five – Apple, Google, Amazon, Facebook and Microsoft – and related issues with humor and a mix of digital and analogic practices. In TSA Communication, he has taken his artistic creativity inside one of the most controlled and liberty-killing places in our contemporary world: airports and airplanes. He ...
PublisherAccessions Journal2015
Saga provides a basic framework to self-host media, track where it lands online through a back-end interface, and make discrete, time-based alterations to the work. When you self-host your work and publish it using the Saga framework, every distinct plot where your work is shown becomes your space. You can choose to manipulate that space at your leisure, and those who share your work assume that risk when they choose to show it. If someone posts your work next to something you don’t like, then say something, or obscure your work with a graphic expression. If someone is profiting from selling ads ...
PublisherSarai, CSDS2001
A Sarai is an enclosed space in a city, or, beside a highway, where travellers and caravans can find shelter, sustenance and companionship; a tavern, a public house, a meeting place; a destination and a point of departure; a place to rest in the middle of a journey… The Sarai Reader (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a ...
Publisher2012
Scape makes music that thinks for itself. From Brian Eno and Peter Chilvers, creators of Bloom, Scape is a new form of album which offers users deep access to its musical elements. These can be endlessly recombined to behave intelligently: reacting to each other, changing mood together, making new sonic spaces. Can machines create original music? Scape is our answer to that question: it employs some of the sounds, processes and compositional rules that we have been using for many years and applies them in fresh combinations, to create new music. Scape makes music that thinks for itself. – Brian Eno, Peter ...
Daniel Eatock is a designer and artist based in London. He studied design at Ravensbourne College and earned his MA from the Royal College of Art. In this episode, Daniel talks to Jarrett about studying design and discovering conceptual art, his resistance to labeling his practice, the role of teaching in his work, and how he’s working towards being more present.
David Reinfurt is a design polymath operating at the intersection of design, publishing, curation, and exhibitions. His studio, O-R-G, is now a small software company “that programs, publishes, and sells apps, websites, screensavers, and other small chunks of code”. With Stuart Bailey, he’s the co-founder of Dexter Sinister and with Bailey and Angie Keefer, he publishes The Serving Library. In July, I interviewed David about his work across mediums and how they intersect, the fluid boundaries of graphic design and the type of writing around design he enjoys the most.
Justin W. Cook is an architect, designer, and educator. He’s currently the Founding Director of the RISD Center for Complexity & Systems Practice, an initiative that is thinking about design in the widest sense. Previously, he worked at the Helsinki Design Lab and has advised students at MIT and Harvard. His work centers around design as a transformative act, sustainability, and systems thinking. In this episode, Justin talks to Jarrett about realizing he wanted to be an architect and his move into strategic design, thinking about organization change, and the role of the designer.
Marcin Wichary is a designer, writer, programmer, and typographer. He most recently was a designer at Medium and previously worked on design teams at Google and Code for America. He’s currently writing a book on the history of keyboards and typing, due to be released next year. In this episode, Marcin and Jarrett talk about how writing has supplemented his design work, the value of personal projects, and writing about his obsessions.
PublisherO-R-G2018
In 1965, Bruno Munari designed a small black box — the austere 15-cm steel cube housed four aluminum cones, each painted half-red and half-green and set to spin at four distinct speeds on an 18-minute cycle to produce a very slowly turning composite color moving from red to green. Munari called it the Tetracono and its function was to show forms in the process of becoming: The art of the past has accustomed us to seeing nature as static: a sunset, a face, an apple, all static. People go to nature looking for images such as these static things, whereas an apple is in ...
To media art curator and critic Ida Hiršenfelder, Antoine Schmitt’s art and his project Time Slip ask us: nowadays, who can divide the virtual from the real? Time Slip is a LED news ticker operating in real time: a computer software transcribes official online news released by news agencies, changing the past tense to the future tense. In doing this, it constructs an ambiguous relation between the present, the past and the potential. Time Slip is about the relation between cause, effect, randomness and free will: reading news about facts that have already happened disallows the audience’s ability to be active about them; whereas, oppositely, ...
PublisherDavid Horvitz2015
the space between us connects two people’s phones that are physically close. Once connected the app will display the spatial distance between each person and show an arrow pointing towards the other person. –> is where you are –> is where I am As we move in different directions, our distances expand and contract. Our arrows move. Like a compass our phones will orient themselves towards each other, as if the other phone has become north. The arrow points away from the screen. Always, we are somewhere. Across horizons, deserts, days, nights, the grids of cities, we face each other. Instructions: In the disconnected mode the ...
PublisherMeson Press2015
Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.

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