Index of Titles Filed Under 'Speculation'

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A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...
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Even before 2017’s floods, fires and explicit nuclear threat, the doomsday clock had been ticking towards midnight, spurred on by the warming planet and the hothead in the White House. Survivalists have been around since the 1930s, but all of a sudden, prepping (making plans for civilizational annihilation) started to feel like the not-crazy thing to do. But how to go about it? Become a one-person militia and stock up on camo and bullets? If you’re a too-rich tech bro, you disrupt the apocalypse: get Lasik, build a panic room and buy an apartment in a luxury tower submerged below ...
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PublisherARPA Journal2016
“Instruments of Service” is a class of legally protected work products defined in the American Institute of Architects’ “A201-2007 General Conditions” as “representations, in any medium of expression now known or later developed, of the tangible and intangible creative work performed by the Architect.” In practice, instruments are any drawing, model, calculation or specification created for a client, copyrighted by the architect as a design “recommendation” and trafficked between intellectual, digital and real property. As research, everyday and experimental instruments are assemblages of tools and materials, allography and autography that move from Skype to ‘the street’ through theaters of peer ...
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PublisherARPA Journal2018
“Conflicts of interest” are said to compromise the impartiality of research, but what would it mean to be disinterested? Ethical codes warn us that researchers’ objectivity can be corrupted by a clashing set of interests—those of funding agencies, clients and publics, as well as researchers’ self-interest in professional advancement or personal gain. If the resolution of such conflicts might typically call for avoidance, recusal or disclosure, what would such strategies mean for the design disciplines and research on the built environment? What varied interests, expressed in the form of money or other manifestations of influence, do designers contend with? Who ...
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PublisherZero Books2015
The main affirmation of artistic practice must today happen through thinking about the conditions and the status of the artist’s work. Only then can it be revealed that what is a part of the speculations of capital is not art itself, but mostly artistic life. Artist at Work examines the recent changes in the labour of an artist and addresses them from the perspective of performance.
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PublisherLink Editions2015
Astronaut Luggage is a collection of short texts written along the last years and circulated online, rearranged around five main topics: the Apocalypse, commodities, drones, history and politics. Adopting the forms of the essay and the short story, Rothstein sets himself in an “atemporality” that allows him to tell stories in which the distinction between reality and fiction is not important. As he writes in the introduction: “None of these stories are true, but none of them are false, either. These distinctions are not the point, at least not immediately. The difference between fact and fantasy are important, just not ...
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Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ...
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PublisherA.WKSHP2019
This book is an accumulation of images of adobe and its ecosystem taken in The Autonomous Region of Castile and Leon, Spain. The images are chosen as representations of the material viewed at different scales in context. The images are ordered by scale. At each end of the spectrum are the microscopically magnified granular composition, and the satellite image of the region, respectively. Only a portion of the images are within the range of a human’s visual perception. In 2008, the global financial crisis made visible the forces and flaws of a society based on an infinite growth economy, as evidenced by ...
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PublisherKein & Aber2014
Das Kapital bin ich: Schluss mit der Digitalen Leibeigenschaft. Das Manifest für alle Internet-Zweifler und Gegner der virtuellen Manipulation. Für alle, deren Fingerspitzen nur noch Touchscreens berühren, die in YouTube verloren gehen und sich Facebook ausgenommen fühlen. Für alle, die sich den AGBs von Google & Co nicht mehr fügen wollen. Es ist Zeit, sich aus der selbstverschuldeten “Digitalen Leibeigenschaft” zu befreien! Der Ökonom Hannes Grassegger zeigt auf, wie wir zu einem neuen Selbstbewusstsein im Umgang mit unseren Daten finden und auch noch Geld daran verdienen. “Holen wir uns, was uns gehört. Wir sind das Internet.”
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PublisherData Arbitrage2015
DataArbitrage was a program that generated money by selling personal data and using that money to purchase fake social media accounts. DataArbitrage then sold the data from the fake social media accounts, bought new social media accounts and commenced a process of data arbitrage whose result was the dilution of useful data due to the overabundance of fake personal information. … Through DataArbitrage, we can undermine the value of data, until it becomes too uncertain and too costly for companies to collect and understand. When the cost to collect a terabyte of data surpasses its value, then the data economy will stop running. Our analysts have ...
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PublisherUrbanomic2018
Compiled by Philip Sanderson and mixed by DJ Huysmans, a mix made to accompany the Ballardian Breakfast Briefing virtual launch event for Applied Ballardianism.
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PublisherStrelka Press2019
The chances are that you are reading these words on a mobile device. There is a good chance that you are spending a lot of time on that device every day. If that is the case, you are not alone. It is reported that in the US alone, the average adult spends two hours and 51 minutes on their smartphone every day. That is eight minutes longer than Andrei Tarkovsky’s film Stalker. But it is a good hour and ten minutes shorter than the average time that a French worker once spent watching TV. In China in 2018, the average daily time ...

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