to_oblivion.zip laments the death of Reyhaneh Jabbari, who was convicted and hanged in Iran on October 25, 2014 for the alleged murder of her rapist.

Léopold Lambert met with Indigenous Lakota activists Madonna Thunder Hawk and Marcella Gilbert during their passage in France to present Christina D. King and Elizabeth A. Castle’s film Warrior Women that portrays their struggle over two generation — Madonna is Marcella’s mother. In this conversation, we talked about four episodes of Indigenous resistance in Turtle Island (North America): the occupations of Alcatraz (1969), Mount Rushmore (1971), Wounded Knee (1973) and Standing Rock (2016), all of which were experienced by Madonna. Madonna Thunder Hawk is an Oohenumpa Lakota. Born and raised across the Oceti Sakowin homelands, she first became active in the late 1960s ...

This podcast, recorded with the three founders of Demilit (Bryan Finoki, Nick Sowers, and Javier Arbona) is a precedent for Archipelago since it constitutes both a walk to examine the hyper controlled policed space of downtown Oakland and a receptacle for the echoes of Occupy Oakland that comes as interludes to our discussion. We observe objects and spaces that are produced by securitarian logic that often attempt to dissimulate their function by an aesthetic of the ordinary. Starting from Oakland City Hall where Occupy used to have its encampment, we spend the first part of the conversation around the administrative/corporate center of ...

Law and art are oftentimes perceived as standing in opposition, and even seen in terms. The first is dismissed as provincial, rigid, and bureaucratic, while the latter is repeatedly characterized as global, flexible, and dynamic. Yet, closer observation and analysis reveal hidden links and layers, and substantial preoccupation by both legal and art practitioners in the visual and in the judicial. It is through the unraveling of spaces, gaps, and lacunae in which both fields of practice and knowledge intersect that this publication sets in motion an exploration of influences and interactions between law and art. Offering a new critical approach ...

Roberto Boettger reframes what is being conserved at Tijuca National Park and denaturalizes the project of conservation behind UNESCO’s first “urban cultural landscape”; Ella Comberg seeks views of the street beyond what Doug Rickard’s A New American Picture, and Google, ask us to see; Alexyss McClellan-Ufugusuku extends the recent COVID-19 outbreak at Marine Corps Air Station Futenma to legacies of dual colonization and militarization in Okinawa; Karamia Müller revisits her architectural education alongside the imperial conception of land that came with it; and Malcom Rio and Aaron Tobey examine the design of injustice in the case of the courthouse.

Lori A. Brown parses legalese to uncover how the state wields spatial barriers to abortion access in Garza v. Hargan; Elisavet Hasa traces the “archive of resistance” assembled by solidarity heath care initiatives in Athens; David Hurtado unpeels Okinawa’s imperial layers through the photographs of Mao Ishikawa; and Isabelle A. Tan reflects on various encounters with the Belt and Road Initiative in Jakarta’s past, present, and future.

A nuclear facility in Iran before and after an explosion, a village in Pakistan before and after a drone attack, a Cambodian river valley before and after a flood. The before-and-after image has become the tool of choice for analysing events. Satellite photography allows us to scrutinise the impact of war or climate change, from the safe distance of orbit. But one thing is rarely captured: the event itself. All we can read is its effect on a space, and that’s where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines ...

This conversation with Caren Kaplan introduces the work she has been conducting for her forthcoming book dedicated to a genealogy of aerial photography (and painting) and its militarization leading to the ‘age of the drone’ we currently experience. We begin with the development of the balloon, the progressive learning necessary to understand this new point of view on the world and the simultaneous success of panorama paintings. We then evoke the creation of the British Board of Ordinance and its survey of Scotland as part of the counter-insurrectionist effort to control the terrain against the Jacobites. We conclude the discussion in ...

This conversation with Adam Elliott-Cooper revolves around his book, Black Resistance to British Policing (2021). We talk about the colonial genealogy of British policing (in Ireland, Trinidad, Malaya, and Kenya in particular) and the construction of the figure (collective or individual) of the suspect as a legitimization of this policing. We also talk about Black resistance to it, the crucial role of women activists, the paradigm embodied by the 2011 police murder of Mark Duggan and the massive revolts that followed, as well as the possibilities of solidarity. Adam Elliott-Cooper is a lecturer in social and public policy, Queen Mary University of London. ...

For How To Sleep Faster we were looking for contributions that focused on The Body in Pain. The title is taken from the book by Elaine Scarry, which examines pain with regard to ‘making’ and ‘unmaking’ the world. Thinking about Guantanamo Bay as the emblem of the time we’ve come of age, thinking about the political use and the political meaning of pain inflicted: war, torture, natural disaster and disaster capitalism, shock therapy economics and shock therapy for uncooperative or dysfunctional subjects. Institutional violence and the violence of institutions Pain is what we know and the limit of what we know: ...

Charles Mudede joins us from Seattle to read “White Knee, Black Neck,” published in the June 2020 issue of e-flux journal.