Index of Titles Filed Under 'Technology'

PublisherThe Funambulist2014
Eve Bailey and I recorded this conversation in her studio in Crown Heights (Brooklyn) surrounded by her tools and artworks. We talk about her work that consistently engages the body to ‘conquer’ the sculptures she constructs with her own hands. We also discuss about how, despite the fact that her pieces are based on her own body, each body has a chance to appropriate them with no prejudice — their aesthetics allowing so — and eventually find a point of equilibrium, unique for each body. Toward the end of the podcast, she talks about her current research that explores association ...
This publication presents Peter Eisenman’s Biozentrum project, an expansion of Goethe University in Frankfurt am Main, from 1987. In the competition brief, the program of the complex included biotechnology, molecular biology and biochemistry research laboratories and support spaces. The design process used biological concepts and procedures to generate the geometrical pattern that establishes the location, dimension and form of the complex. The iterations of DNA molecules in the production of the protein collagen were at the base of the fractal geometry guiding the project design. These pairs of figures, with a gap in between them, were the base forms Eisenman adopted ...
PublisherThe Funambulist2014
This conversation with Alexander Weheliye is built upon the critique he made of the work of Giorgio Agamben, in particular in his essentialization of the muselmann in the context of the Holocaust. Alexander argues that slavery functions as a better paradigm to understand the “layering” of bare lives and the racial aspects that this understanding involves. He explains how he is interested in finding other ways to “claim humanity” than the traditional judicial one that attributes this status in a retroactive manner to suffering bodies. In order to do so, we evoke the works of major African-American and black Caribbean thinkers such as Hortense ...
PublisherDroste Effect2016
Bulletin #4. Chance and control. Photography, video and the web. Part I 01 If something eludes us 02 Video-photographic devices Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo Zanni, Eva and Franco Mattes). Translation ...
PublisherDroste Effect2016
Bulletin #5. Chance and control. Photography, video and the web. Part II Part II: 02 Online filming 03 An art that generates itself Part I on Bulletin #4 Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo ...
This publication presents Expanding Sphere and Iris Dome, two projets by Chuck Hoberman, in their context during the late 1980’s and early 1990’s. Chuck Hoberman’s work focuses on the notion of transformable design: objects, structures and spaces that can change size and shape through the respective movements of their parts. The Expanding Sphere and Iris Dome could be considered as prototypes that can be later adapted for multiple uses — from toys to buildings. The development of controlling surfaces defined by geometric transformation, with zero material thickness, has been combined with the rigorous design and engineering of hinged and folding ...
From the first human artistic expression in cave paintings until now, black has been constantly reinvented by art. Like other 20th-century artists (Rothko, Malevic, Klein) before him have done, Belgian Frederik De Wilde explores the nature of colors and produces monochromatic works, but focusing on black in a radical and scientific manner. In Hostage, as art historian Elise Aspord explains, he has created a material made up of a vertical alignment of nanotubes of carbon that can absorb almost all rays of light, thus giving a new universal reference for black. This work is the result of a close collaboration between scientists and ...
PublisherLuuse2018
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory, originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. SIL Open Font License
PublisherThinkbelt2020
What would an ideal internet experience be like? Joanne McNeil explores the 30-year history of online life—the communities and identities and hazards—and imagines how we, the users, might recover some of the potential of our technologies.
Marko Batista is an artist working at the intersection of science and art. By creating hybrid technological, electromagnetic or chemical systems, he confronts the mystification of technology while also opening up new ways of thinking about technology. With his experimental systems, which bring together the abovementioned fields, he expands the sphere of human perception and the phenomenology of unstable audio-visual systems in space and time. This book brings together four different perspectives on Marko Batista’s work. Jurij Krpan’s text analyses Marko Batista’s work chronologically and positions it in the Slovenian as well as the broader cultural space. Andreja Hribernik tackles the ...
PublisherMomus2018
Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can flatten evaluative distinctions in favor of zealotry for invention. “Criticism of a tool that’s presented as neutral when it really is a piece of social engineering is incredibly hard to do, and there really isn’t a model for criticism in this space,” says Khan. In this far-ranging discussion that touches on the critical distance and yet humanism required of writing on the internet, surveillance, and AI, Khan and Pepi assert that tools aren’t divorced from their makers, ...
PublisherSaraba2010
We think of technology as a basket of broken eggs, which must hatch into chicks. Our contemplation is that we must accept disadvantage as advantage, that we must lead ourselves into a den of a lion, and sleep close to its mane. The starting point was an identification of eternity. It‘s difficult to agree with James Blunt: ―Forever is just a minute to me.‖ For, in the initial analysis, technology is to us what a mustard seed is to a sea. There is, we beg, no specificity to an outlook on technology. But what does an unwholesome consideration entail? How can we ...
PublisherSarai, CSDS2003
Sarai Reader 03: Shaping Technologies sets out to ratchet our engagement with the contemporary moment a notch higher, in directions that are sober, exhilarating and discomfiting, all at once… Shaping Technologies brings together a host of original writing and images on these and other themes by a collection of writers, theorists, critics, photographers, philosophers, engineers, activists, artists, media practitioners and programmers from all over the world. It also excavates and connects little known histories with our present reality, finding, for instance, in Rabindranath Tagore’s account of being airborne in 1934, an oblique way of reflecting on the consequences of aerial bombardment, the dehumanising ...
Mark Lamster is the architectural critic of the Dallas Morning News, a Loeb Fellow at the Harvard Graduate School of Design, and a professor in the architecture school at the University of Texas at Arlington. He’s the author of several books, and is currently finishing a biography of architect Philip Johnson. In this episode, Mark and I talk about how he started writing about architecture, how making books is like making architecture, what it’s like writing about architecture for a daily newspaper, and how technology is changing the role of the critic.
Advocacy is the act of arguing on behalf of a particular cause, idea or person, and addresses issues including self-advocacy, environmental protection, the rights of women, youth and minorities, social justice, the re-structured digital divide and political reform. This pamphlet considers how situated technologies have been—or might be—mobilized toward changing and/or influencing social or political policies, practices, and beliefs. What new forms of advocacy are enabled by contemporary location-based or context-aware media and information systems? How might they lend tactical support to the process of managing information flows and disseminating strategic knowledge that influences individual behavior or opinion, corporate conduct or ...
Looking up something online is one of the most common applications of the web. Whether with a laptop or smartphone, we search the web from wherever we are, at any given moment. ‘Googling’ has become so entwined in our daily routines that we rarely question it. However, search engines such as Google or Bing determine what part of the web we get to see, shaping our knowledge and perceptions of the world. But there is a world beyond Google – geographically, culturally, and technologically. The Society of the Query network was founded in 2009 to delve into the larger societal and ...
PublisherUrbanomic2016
An idiosyncratic mixtape based on an impromptu listening seminar held at Labour Camp, part of Paul Chaney’s Critical Camps series at Kestle Barton, traces the relationship between work and eroticism through popular song. Starting with a bucolic idyll of self-suffiency where labour is not yet separated from life, continuing with traditional English folk song in which collective pleasure is embedded in and resonates with the cyclical patterns of agricultural labour, the mix then traverses the industrial revolution, where the new mechanical tools are at first reinscribed into this postpagan cosmology of jouissance, going on to chart the divergence of pleasure and labour as their ...
PublisherThe Funambulist2014
This conversation with Alondra Nelson focuses on the socio-historical descriptions of her book Body and Soul (University of Minnesota, 2011) that unfolds the work of the Black Panthers (late 1960s – 1970s) to resist against the highly discriminatory mechanisms of the politics of health in the United States. Following the structure of the book, we discuss the discrimination against the African American community, both in its negligence (inappropriate healthcare response to disease, prohibitive cost of care) and in its active medicalization of marginalized bodies (scientific research on convicts and women, experimental brain surgery). Against this systemic oppression, the Black Panther Party created its ...
Video is everywhere, like a space in which we move, an ocean we can dive into. But video is no longer the video we once knew. To address this techno-social shift, Andreas Treske sketches the outlines for a philosophical and practical understanding of online video, offering up a theory for the YouTube generation. Video is examined up close and as a societal phenomenon. The images of a video constantly refer to other images, to the user and to the world outside. There is a ‘thickening of the image’. Videos also exist in relation to each other. On YouTube each video is ...
Inspired by taxonomist Jack Goody’s theorizing of ‘ancient lists’ as ‘intellectual technologies’, this book analyzes listing practices in modern and contemporary formations of power, and how they operate in the installation and securing of the milieus of circulation that characterize Michel Foucault’s conception of governmentality. Propelling the list’s role in the delimitation and policing of risky and threatening elements from out of history and into a contemporary analysis of power, this work demonstrates how assemblages of computer, statistical, and list technologies first deployed by the Nazi regime continue to resonate significantly in the segmenting and constitution of a critical classification ...
The Urban Screens Reader is the first book to focus entirely on the topic of urban screens. In assembling contributions from a range of leading theorists, in conjunction with a series of case studies dealing with artists’ projects and screen operators’ and curators’ experiences, the reader offers a rich resource for those interested in the intersections between digital media, cultural practices and urban space. Urban Screens have emerged as a key site in contemporary struggles over public culture and public space. They form a strategic junction in debates over the relation between technological innovation, the digital economy, and the formation of ...
PublisherUrbanomic2010
In this panel discussion held as part of The Real Thing at Tate Britain in 2010, participants explore the aesthetic, political, and philosophical questions raised by Speculative Realism
PublisherUrbanomic2015
In an extended mix of their conversation with Electronic Beats magazine, electronic music producer and DJ Lee Gamble talks sound, thought, abstraction, and jungle with Urbanomic director Robin Mackay
PublisherUrbanomic2015
Three presentations from the 2015 event explore the historical and contemporary relationship between choreography, technology, control, and subjectivation
PublisherUrbanomic2017
An excerpt from the third Report from the Gutenberg Galaxy (Blaker), this essay forms part one of a diptych in which Matthew Fuller develops the idea of the book as diagram, and tries to imagine what new forms of readers might be bred in a book culture transfigured by computational forms

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