Index of Titles Filed Under 'The Stack'

PublisherFall Semester2014
The Stack we have means: borderlines are rewritten, dashed, curved, erased, automated; algorithms count as continental divides; the opposition of chthonic versus geometric territory is collapsed by computation; interfaces upon interfaces accumulate into networks, which accumulate into territories, which accumulate into geoscapes (territories comprising territories, made and so entered into, not entered into and so made); the embedded is mobilized and the liquid is tethered down into shelter and infrastructure; the flat, looping planes of jurisdiction multiply and overlap into towered, interwoven stacks; the opaque is transcribed and the transparent is staged, dramatized, and artificialized; irregular allegiances are formalized (the enclave and ...
PublisherFall Semester2016
A super-computational grid overlaying the earth’s surface, an all-seeing, oating ecosystem, an Uber-planet, an internet of things in which the things are us, is recording and storing our every movement. We subscribe to it—willingly providing it with our data. By the same token, our immersion in the permanence of the informational mayhem is flooding us with fictions. On the one hand, theoretically, the permanent input channel of billions of facts per second—GPS coordinates, heartbeats, selfies, currency fluctuations, etc.— into the super-computational megastructure, is always pushing for a transparent world. In that world “truth” would cease to be a word because there would be ...
PublisherNew Models2019
When Spotify was founded in 2006, it aimed to solve the problem of online music distribution, remunerating artists for plays. 13 years on, it is a massive data node that is having a profound effect on how artists and audiences connect. In this cast, New Models speaks with music journalist Liz Pelly, who has written extensively on Spotify, particularly its impact on independent music. She talks to us, here, about Spotify’s structure, how it nudges artists to optimize their acts through metrics, and what it understands “music” (let alone “independent”) culture to be. Liz also gives an update on community ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List