Index of Titles Filed Under 'Violence'

PublisherThe Funambulist2014
This conversation with Alexander Weheliye is built upon the critique he made of the work of Giorgio Agamben, in particular in his essentialization of the muselmann in the context of the Holocaust. Alexander argues that slavery functions as a better paradigm to understand the “layering” of bare lives and the racial aspects that this understanding involves. He explains how he is interested in finding other ways to “claim humanity” than the traditional judicial one that attributes this status in a retroactive manner to suffering bodies. In order to do so, we evoke the works of major African-American and black Caribbean thinkers such as Hortense ...
PublisherThe Funambulist2014
In this conversation, Sophia Seawell and I examine how violence unfolds on bodies through the conformity to the normative category that has been attributed to them. We look at this problem particularly in terms of gender, continuously perpetuated by bodily performativities that often manifests themselves spatially. In this regard, opening the door of a gendered bathroom and its semiotics constitutes for many of us as a deliberate acceptation of the gendered that has been attributed to us. Sophia’s research is particularly oriented toward bodies that have undertook to transgress performativity by adopting the one of the “opposite gender” to their normative attribution. ...
PublisherThe Funambulist2014
In this short conversation, Ethel Baraona Pohl and I discuss about the ever growing militarization of the polices of the world based on a lecture she gave the same day in Rotterdam for a seminar organized by Malkit Shoshan. We particularly insist on the American police example, which has manifested it clears belligerency against the African American population in the recent months in Ferguson, MO.  We attempt to understand what are the founding logics of such a militarization, both at a philosophical, economic and legal level. We conclude the conversation by conversing about the picture of Ukrainian protesters aiming mirrors at ...
PublisherNew Models2018
More significant than how spree-shooting incels kill… is how they desire. For the second New Models podcast, @LilInternet, Caroline Busta, Daniel Keller, and Masha Tian discuss the ‘supreme gentleman’ as a systemic phenomenon — one wherein society’s not-uncommon transactional model of “acquiring” women is taken to metric-obsessed and violent extremes.
PublisherNew Models2020
Featuring Washington D.C.-based writer/editor MIKE CRUMPLAR, whose work focuses on radicalization in America and the systemic drivers of incel culture. This January, Mike published the first segment of a project that looks at the autobiographical writings of Isla Vista spree shooter Elliot Rodger. His Framework takes Elliot not as author, but as subject—a protagonist trapped in his own novel as an unwitting byproduct of American late-capitalism.
Slavoj Žižek would have agreed that the destruction of cultural heritage by ISIS and the murder of African-Americans by the police are both examples of “objective violence” because they are easily framed in language and media as the disturbance of normative bourgeois consumerist life. What is at stake in this claim of equivalency? To what extent is representation itself a form of violence?
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the ...
In an epic trawl through the heroic narratives of Hollywood action movies, TV crime drama, and their maverick protagonists, from The Maltese Falcon to Dexter via 24, Amanda Beech explores the depiction of law, violence, and the politics of contingency, and asks what the resolute actions of these heroes have to tell us about conceptions of the political force of culture
Victims’ Symptom is a collection of interviews, essays, artists’ statements and glossary definitions, which was originally launched as a Web project ( Produced in 2007, the project brought together cases related to past and current sites of conflict such as Srebrenica, Palestine, and Kosovo reporting from different (and sometimes conflicting) international viewpoints. The Victims Symptom Reader collects critical concepts in media victimology and addresses the representation of victims in economies of war.

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