Index of Titles Filed Under 'Writing'

PublisherThe Funambulist2014
This conversation with Alexander Weheliye is built upon the critique he made of the work of Giorgio Agamben, in particular in his essentialization of the muselmann in the context of the Holocaust. Alexander argues that slavery functions as a better paradigm to understand the “layering” of bare lives and the racial aspects that this understanding involves. He explains how he is interested in finding other ways to “claim humanity” than the traditional judicial one that attributes this status in a retroactive manner to suffering bodies. In order to do so, we evoke the works of major African-American and black Caribbean thinkers such as Hortense ...

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PublisherDroste Effect2019
Published on occasion of Débora Delmar’s exhibition Stressed, Blessed and Coffee Obsessed at Gallleriapiù, Bologna. Starting from Débora Delmar’s portfolio, Daniel Garza Usabiaga narrates the pivotal events and turning points in the artist’s career. Narrative Portfolio is one of three formats in Droste Effect’s publication Bulletin. Narrative Portfolios are aimed at investigating the practice and personal taste of international established artists.

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PublisherThe Funambulist2013
This conversation is an interview I did with graphic novelist Marc-Antoine Mathieu for Chicago-based architectural journal MAS Context (Issue 20: Narrative). The interview was made in French as you will hear, but for the purpose of Archipelago, this version is dub with the English version given by Liduam Pong. Marc-Antoine and I speak about his fascination to design labyrinths in which he can loose his characters, his readers, and himself as well. We also evoke the specificity offered by this unique medium of the graphic novel, as well as the way third and fourth dimensions can be considered and imagined through this ...

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PublisherThe Funambulist2014
Olivia Snaije and I begin this conversation by discussing her multi-faceted work of journalist, editor and translator. We then converse more specifically about the book she co-edited with Mitchell Albert, Keep Your Eye on the Wall: Palestinian Landscapes (Saqi Books, 2014). This book gathers a series of essays and photographic work curated around the question of the Apartheid Wall in Palestine (see below). We evoke most of its chapters, one by one, and extend the question raised by Malu Halasa about the problematic aestheticization of the Wall to the very exercise of photographing it. Olivia Snaije is a journalist and editor based in ...

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Episode 5: Language Chus Martínez and Quinn Latimer reflecting on ideal working conditions and the use of language. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.

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PublisherA.I.R. Gallery2019
It’s funny because here we are talking about listening and four out of six people around me are wearing headphones, curating their own sound environment and blocking out others. Those parties where everyone dances and listens to the same music on wireless headphones is the closest to being “in it,” together. Plus, none of the neighbors call the cops. • Empathy is a term that appears in theories of the psychology of art, according to which visual art can make the general public experience emotions. Following this school of thought, art appreciation is not a matter of reason but of feeling. This ...

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In On Editorialization: Structuring Space and Authority in the Digital Age Marcello Vitali-Rosati examines how authority changes in the digital era. Authority seems to have vanished in the age of the web, since the spatial relationships that authority depends on are thought to have levelled out: there are no limits or boundaries, no hierarchies or organized structures anymore. Vitali-Rosati claims the opposite to be the case: digital space is well-structured and material and has specific forms of authority. Editorialization is one key process that organizes this space and thus brings into being digital authority. Investigating this process of editorialization, Vitali-Rosati reveals how ...

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Abbott Miller is a designer, writer, and a partner at Pentagram where he leads a team designing identities, exhibitions, and books. Before Pentagram, Abbott ran a studio, Design Writing Research, with Ellen Lupton and wrote for publications like Eye, Print, and I.D. A monograph of his design and writing, called Design and Content, was published in 2014. In this conversation, Abbott and I talk about where his interest in critical theory came from and how he’s worked to incorporate it into his design work, using writing to find new ways into design, and how his various interests have come together ...

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Adrian Shaughnessy is a designer, writer, and publisher. Along with Tony Brook, he co-founded Unit Editions, an independent publishing company that specializes in design books and monographs for people like Paula Scher and Herb Lubalin. He’s written for publications like Eye and Design Observer and his collected essays were published as a book, also called Scratching the Surface, in 2013. In this episode, Adrian and I talk about his transition from designing to writing, how the design discourse has changed over the course of his career, and the value of a strong design criticism.

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Alissa Walker is the urbanism editor at Curbed where she writes about cities, infrastructure, transportation, and policy. Before that, she was the urbanism editor at Gizmodo and has written extensively about design, cities, and architecture for places like Design Observer, Dwell, Fast Company, the Los Angeles Times and The New York Times. In this episode, Alissa and I talk about the differences between writing about designed objects and writing about the city, the role of the critic, and how she writes about government, policy, and transportation through the lens of design.

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Allison Arieff is the editorial director of Spur and a columnist for the New York Times where she writes about architecture, design, and cities. Before that, she was the editor-at-large for both Good and Sunset Magazines and was the editor-in-chief at Dwell. In this episode, Allison and Jarrett talk about how she wanted to be a writer since eighth grade, the expanding definition of design, and the relationship between design and policy.

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Anne Burdick is a graphic designer, writer, researcher, and educator. She’s the chair of the Art Center College of Design’s Media Design Program and has written for publications like Emigre and Eye. In this episode, Anne and I talk about her own background and journey through design — which we discovered had many parallels to my own design career. We also talk about new modes of practice, the relationships between writing and designing, and asking the big questions of design’s role in society and culture.

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Anne Quito is a designer and writer currently working as a design reporter at Quartz. Anne is the founder of the design studio Design Lab 360 and a recent graduate of SVA’s Design Criticism program. In this episode, I talk with Anne about her design background and her journey into writing, how to write about design for a general audience, and how she wrote her own job description when she joined the Quartz team as a “design reporter.”

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Armin Vit is the co-founder of Under Consideration with his wife Bryony Gomez-Palacio, the site behind popular blogs Brand New, FPO, and SpeakUp. In this conversation, I talk to Armin about how he started writing, why he shut down SpeakUp in 2009, why everyone is critiquing logos now, and how social media is changing the design discourse.

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On this week’s episode, I talk with Bryn Smith, a designer, writer, and editor based in New York City. Bryn is a graduate of SVA’s Design Criticism MFA and the co-author of the new book, Twenty Over Eighty. We talk about her experience in SVA’s program, what a design critic could do at major publications, and how to use design artifacts to write about larger cultural issues.

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Craig Mod is a writer, photographer, and designer based in Japan. He’s written extensively about books, publishing, walking, and technology for The New Yorker, The Atlantic, and Medium. He also publishes two newsletters, Roden and Ridgeline, and hosts On Margins, a podcast about making books. In this episode, Jarrett and Craig talk about his background as a designer and programmer, the evolution of his own writing and where he’d like to take it, and taking the longview in all of his work.

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Elizabeth Glickfeld is a design writer and lecturer currently based in London. She’s the co-founder, along with Anna Bates, of Dirty Furniture, a new kind of design magazine that looks at “when design leaves the showroom” by focusing each issue on a specific piece of furniture. She’s also written for various publications including Eye, Design Issues, Domus, and Frieze. Previously, she was a student in The Royal College of Art’s Critical Writing in Art and Design program and was a lecturer in design theory and history at Swinburne University in Melbourne, Australia. In this episode, Elizabeth and I talk about ...

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Helen Armstrong is a designer, educator, and writer. She’s published two anthologies of design theory as well as a book on user-generated design and is currently associate professor of graphic design North Carolina State University. Prior to studying design, Helen’s studies focused on literature, English, and critical theory and she’s since applied what she learned in her previous studies to graphic design. In this episode, I talk with Helen about her transition from academia to graphic design, the intersection of theory and practice, and the value in criticism and theory for practicing graphic designers.

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In 2013, Jack Cheng self-published his first book, a novel called These Days, on Kickstarter. Before that, Jack was working as a designer in advertising in New York City while working on the book during his nights and weekends. Now based in Detroit, Jack just published his new book, See You in the Cosmos. In this episode, I talk with Jack about his transition from designing to writing, the similarities between designing digital products and writing fiction, and the intellectual questions he’s asking himself in his work.

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James Goggin is a designer, educator, and writer. He runs his own design studio with his partner, Shan James, under the name Practise and recently joined the faculty of RISD’s graphic design department. He previously worked as Director of Design, Publishing and New Media at the Museum of Contemporary Art Chicago and has taught at Werkplaats Typografie in Arnhem, The Netherlands, and at ECAL in Switzerland. His writing on design has appeared in numerous publications and he currently serves as art director and is on the editorial board of the architecture publication, Flat Out. In this episode, James and I ...

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Jessica Helfand is a designer, writer, podcaster, and publisher. She cofounded Design Observer in 2002 with Rick Poynor, Michael Bierut, and William Drenttel and most recently wrote the book, Design: The Invention of Desire. In this episode, the first part of a two-part conversation, Jessica and I talk about the origins of Design Observer, how she started writing, writing about design in relationship to culture, and how emerging mediums like video and podcasts can provide a new platform for design criticism.

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Karrie Jacobs writes about cities, buildings, and design. She’s written for publications like Metropolis, Travel and Leisure, The New York Times, ID, and Fortune. She was also the founding editor-in-chief of Dwell and the founding executive editor of Colors. In this episode, Karrie and I talk about working at her college paper with Matt Groening and Lynda Barry, how she started writing about design, working at Dwell and Colors, and how design writing has changed over the course of her career.

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Kelsey Keith is the editor-in-chief of Curbed. Before that, she wrote about design and architecture for Dwell, Architizer, and a variety of other publications. In this episode, Kelsey and Jarrett talk about the late 2000s New York media landscape, cobbling together a freelance career, and her editorial vision for Curbed.

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Khoi Vinh is currently Principle Designer at Adobe, Design Chair at Wildcard and co-founder of Kidpost and previously co-founded Mixel and was the design director of The New York Times online. Khoi’s site, Subtraction.com, was one of the first blogs I started reading when I started designing over a decade ago and in this episode, I talk to him about how he started blogging, how writing has influenced his design career, and the the need for a more rigorous criticism around digital product design.

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Kimbro Frutiger is an architect and writer. He studied classical languages and archeology at Amherst College, with a focus on reconstruction of Greek-era sites in Sicily, before receiving an MArch from Yale University’s School of Architecture. Since 2000, he’s written about architecture history and culture for a variety of publications and is currently working on a book. In this episode, Kimbro talks to Jarrett about how his varied educational background influences his work as both an architect and writer, the different types of criticism, and the relationship between his writing and architectural practices.

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