What’s it like to be a second-class citizen in the land of pop? In this essay, originally published in Audimat 4 (2015), Agnès Gayraud, author of Dialectic of Pop, who as francophone songwriter-performer La Féline has just released her third album Vie Future, asks why English remains the unchallenged native language of pop, and how a ‘minority’ language can possibly make its mark on pop as a musical art form.
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