It may seem appropriate, or perhaps by coincidence, that in 2014, the year that marks the amalgamation of Nigeria, Saraba begins with a look at History.
This prompts me to pause and consider the static nature of the past, its influence of the present, and repercussions for the future. The more I consider History, the more I consider History as made; the more I consider History’s multiplicity.
In this issue, our contributors unravel the making and remaking of experiences, of History. From the personal, from the collective, there is a sense that history is not a one-off event. It is in constant ...