Jennifer Allen

Cover art
Just what is it that leads many contemporary artists to restage historic events great and small, performances of the past, and sometimes even imaginary events? Are they possessed by the post-modern demon? (albeit belatedly…) Does this practice spring from a cynical awareness of the decline of values, the surrender—be it dismal or joyful, it makes little difference—to the logic of the society of spectacle? Is it yet another variation of Francis Fukuyama’s bitter prophecy of “the end of history”? Or is it simply the end of the modern myth of the “originality” of the work of art, a further confirmation of the ...

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