Dolapo Amusan

PublisherSaraba2009
When we remember Saraba‘s first outing in February this year, our minds abound with memories of novice, noble beginnings. We are wont to rejuvenate the passion through which the rough gem of our idea materialized into what some have referred to as a ―glorified color book.‖ Ordinarily if we could walk back through the corridors of time, we would leave the Family Issue intact. But with every issue, Saraba evolves and now it is with the quaint prospect of a first draft that we regard it. It‘s only logical that we rewrite a first draft. And re-issue it. Guest-edited by Jumoke ...
PublisherSaraba2009
THE WAY to begin is on a tiny road with no traffic, no nothing, perhaps only a flicker of light at the end of the road. This is the summary of Saraba for this second issue, and one is tempted to end it there. We received fewer entries than the first, and we could not get a Guest Editor. Our box was almost as empty as we left it. That is why there is a very high tendency for us to get despondent end this all, easily, pocket our losses, and who can say anything? But Saraba deserves more than ...
PublisherSaraba2009
It was in the hope of mystic possibilities and unimagined realities that this issue of Saraba was published, and again, it is a major triumph. This issue is a victory on many fronts—and fonts: there are more distinguished writers published, and the consequences are brilliantly wrought write-ups. And of course, as always, the Emerging outweigh the Established. Here at Saraba, we stay true to our creed. By giving each of our issue themes, we set out to exhaust these themes, and perhaps proffer new perspectives to our readers, of course after having resonated the obvious. With this Economy issue, Saraba is ...
2009
Indeed it is a human endeavour to raise ambitions and enlarge conquests. In this regard, Saraba is human, and again, with this issue, seeks to take another step towards perfection. Saraba, with the unceasing enthusiasm of subscribers, is fast becoming an essential internet reading. It warms our hearts to throw yet another issue into your bags. This Issue, although lacks a focal theme, is a collagist exhibition of ideas, impressions and expressions. It would perhaps buttress the ―journalistic reputation‖ that is being bestowed on Saraba. But rather than be concerned with genre description, our mind is set on details, voices, experiences. Saraba ...
PublisherSaraba2010
Now I can‘t precisely remember when I conceded to Agatha‘s impression of the Colloquium of New Writing. Perhaps it was after she made the statement, or earlier, when I walked into the programme venue to find the organizers to be fellow students, or later when a facilitator began his monologue on the death of Nigerian literature, on how our gathering that fateful day in September, 2008 was, in fact, a requiem of some sort, or much later when the grand finale event was a grim shadow lacking both the enthusiasm and impact of the opening day…
PublisherSaraba2010
First a caveat: the story of the delta is tricky. One fraught with a rigmarole of details and bilious emotions, but must still be told nonetheless. We owe it to ourselves, to literature and, most of all, to humanity. And what is the best way to dispel this ambiguity: to begin by saying that the tale is rather a simple one. The details are numerous, disorganised, recurring. The Delta is the nexus of the Nigerian economy and the fulcrum of our existence. The Niger Delta is a gift as well as a curse, our plague as much as our pride. The game ...

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