Ute Meta Bauer

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The reader presents a cross-section of the voices that populate the ongoing debate about, on the one hand, how and in what terms curating functions as a critical cultural practice, and on the other, what methodologies and histories exist with which we can critically analyse curatorial work today. This collection of essays was first published in 2007 by Revolver, in Frankfurt am Main and ICE, Institute for Curatorship and Education as the first ICE Reader…
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This issue of ONCURATING.org brings together a range of interviews and essays, inspired by the symposium, “Why Artists Curate,” held by the Kunstbüro der Kunststiftung Baden-Württemberg in cooperation with Columbus Art Foundation in July 2011. The feedback from this conference prompted a discussion on authorship in contemporary art, from artists, curators and artist-curators. Walter Benjamin’s well known essay, The Author as Producer, outlines that artists became producers when they shifted their labour from an independent creator relent on conventional artistic apparatus, to an operative, in which the skills and accomplishments of the artists are transformed by the advanced technical content of ...
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Welcome to the first issue of the international web-journal www.on-curating.org, a new web-based publication focusing on curatorial practice and theory. The interest of all those involved in the journal, whether curators, lecturers, researchers or participants of curating programs is to create a platform for presentation, discussion and research about this growing area of knowledge. To expand the pool of those involved we aim to cooperate with different institutions and people for every new issue…

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