Jack Callahan

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PublisherLateral Addition2020
A Reader Response Exercise for 10 Participants & GRM Sample Pack “With some conceptual tools, we will be able to find one or several desirable directions for music without having to obey to the dictatorship of technology. For example, the possibilites [sic] of AI in music is in the air nowadays. Lots of people are talking about it but it’s striking how little we think about what music actually is or should be. How can we have a valid opinion on the new possibility computer sciences offer to us as composers if we don’t think harder about the purpose of music ...
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“yoooooowhatuhoe” was developed on a tour of the American West Coast in February 2015. The macro form of the piece was predetermined with special attention paid to temporal ratio between sections, while the material filling out the different sections was generated by procedures ranging from retyping the content of a G-Chat conversation on the Computer MIDI Keyboard to capture the typing habits of the composer and thereby generating pitch and rhythmic data, to using weighted random processes to build dense stacks of pitches.

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