Max Andrews (1975) and Mariana Cánepa Luna (1977) are the co-founders of Latitudes, an independent curatorial office based in Barcelona, which works internationally within the field of contemporary art. Informed by an initial focus on ecology, Latitudes is especially interested in site, process and context. In this text, originally written in English, Latitudes gives us the clues to understand the first experimental videos by the artist José Antonio Hernández-Díez (b. Caracas, Venezuela, 1964), along with his other early works using screens and vitrines. The exhibition shows what the artist termed as a “New Christian Iconography,” and as the curators claim, “neither ...

MACBA Portable Notebooks Series, #33 comprises two essays, both in French, by Pierre Restany. 1. Miralda ! «Une vie d’artiste» (1981) 2.  Dix ans sont passés: le Mont-Serré donne sur la Terrasse (1991)

Georges Didi-Huberman is a lecturer at the School for Advanced Studies in the Social Sciences in Paris. He is the author of more than 30 books on the history and theory of images, including L’Image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg (2002), Gestes d’air et de pierre. Corps, parole, souffle, image (2005), Ex-voto: image, organe, temps (2006), La Ressemblance par contact (2008), Survivance des lucioles (2009) and L’Œil de l’histoire (2010). As part of the Writing art history. Dialogues in the present continuous conference held for the Igor Zabel Award for Culture and Theory 2010, Didi-Huberman ...