Melissa Carlson

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The “Free-floating” Srinagar Biennale explores Kashmiri artists’ fractured sense of place through memory, nostalgia, loss and national belonging. Carlson delves into how the Srinagar Biennale adopts an innovative and free-flowing format that allows the Kashmiri community to assert a new visual narrative through a ‘rhizomatic’ approach by engaging viewers in a sensorial experience rather than a visual one.
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March Meeting Papers is a series of essays selected from Sharjah Art Foundation’s March Meeting 2021 Open Call, which invited artists, writers and thinkers to expand on curator Okwui Enwezor’s influential thinking about the biennial as a platform to engage with history, politics and society. Taken together, the series reveals the extent to which the biennial, such as the Sharjah Biennial now celebrating its 30th anniversary, has contributed to the realisation of new narratives and experiences of modern and contemporary art. Sharjah Art Foundation’s March Meeting is an annual convening of artists, curators and art practitioners from around the world who ...

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