Anastasia Chaguidouline

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Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relations of living and establishing these practices (building centres along the way) but at the same time always changing their positions, never staying at the centre, but instead unfolding on the periphery of social life. In this OnCurating Issue, we searched for and researched projects and institutions that hold at their core something between the lines of centres–peripheries with their transversal practices and modus operandi. For ...
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Extreme exposes art and curating cultivated through unique modes of production and creation in the margins of the globe, reflecting a dynamic developed through ongoing colonial realities. The issue is a compendium of partial, situated knowledges, originating from the four corners of the globe that, when combined, create a pluriverse of visions and a hopefully a momentary community that sustains contradictions inherent in the joining of a variety of vantage points. The issue deals with such pertinent issues such as: the colonization of knowledge as a driving force that abandons experimental and open-ended forms of knowledge; cross-cultural collaboration between non-binary identities ...

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