Jason Dittmer

PublisherFall Semester2014
In this brief essay I reflect on the interactions between the real and the unreal, with a particular emphasis on comics and the city. Comics originate in the emerging city of modernity, and are shot through with both actual cities (in their sites of production and, often, consumption) and virtual ones. Further, few media are as useful for considering the role of the unreal, the held back, the around-the-corner-but-never-in-view, as comics. This reticence is productive, not only of narratives but also of the subjects who read them. Practices of reading comics, when applied to the city itself, highlight the unreal ...

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