Léuli Eshrāghi

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PublisherThe Funambulist2020
Priority to Indigenous Pleasures Léuli Eshrāghi, Sāmoan is an artist, a curator and a researcher, who intervenes in display territories to centre Indigenous presence and power, sensual and spoken languages, and ceremonial-political practices. Through performance, moving image, writing and installation, ia engages with Indigenous possibility as haunted by ongoing militourist and missionary violences that erase faʻafafine-faʻatama from kinship structures. Ia contributes to growing international critical practice across the Great Ocean and North America through residencies, exhibitions, publications, teaching and rights advocacy.
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PublisherMomus2021
In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of contemporary art. Eshrāghi works across visual arts, curatorial practice, and university research, “intervening in display territories to centre Indigenous kin constellations, sensual and spoken languages, and ceremonial-political practices.” In this intimate conversation with Lauren Wetmore, Eshrāghi  says, “I wonder how you can bring texts to be haunted by the absence of knowledge, or by the violence of the borders of today.” “tagatavāsā” was published in C Magazine in Winter 2019. Dr. Eshrāghi  contributes to growing international critical practice across ...
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What About Support and What About Struggle is edited by L’Internationale Online and Jennifer Hayashida, as a collection of poetic responses on the most essential topic of today: how to survive un/natural catastrophes? Starting from a collective reading of Francis Marie Lo’s volume of poetry A Series of Un/Natural/Disasters (Commune Editions, 2016), poets and artists Napo Masheane, Léuli Eshraghi, Merve Unsal, tacoderaya, Lukaza Branfman-Verissimo and Fernanda Laguna have resituated its critique of catastrophe discourse in other urgent pasts and presents through variety of poetic, visual, discursive and audio formats. What are the poetics we are left with when the un/natural ...

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