LaToya Ruby Frazier

Cover art
PublisherSculpture Center2013
A boy plays, cries, smiles, and grimaces in a group of candid, gloss images. Josephine Pryde’s Adoption (2009) series is comprised of pictures of a well-dressed toddler. His name-brand clothing and the environment in which he is photographed give us insight into his life, but also raise questions about choice and consumption. One by one, these images accumulate into an unsettling representation of childhood. The boy pictured is complex—he is frustrated, he is happy, he has desires. He can be manipulated, but he can also manipulate. Subject to mood swings, he can appear alternately adorable and grotesque. Necessarily passive, this ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List