Hannes Grassegger

Cover art
PublisherSternberg Press2016
“At the heart of this book is a simple and profound proposition: to ‘do’ architecture is to immerse oneself in a conflictual process of material production—participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike—equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties ...
Cover art
For the 2019 Oslo Architecture Triennale, Library Stack has compiled a series of essays that map a notional ‘right to loot’ across the urgency of climate crisis and the demand for degrowth. How or when does an unfolding catastrophe manifest a new moral right to dismantle, seize or inhabit the archival, technological, educational, or economic systems producing that crisis? The series finds Shannon Mattern speculating on deep storage archives and their horizon of futurity; Esther Choi on the falsehoods of architecture’s sustainability discourse; Edgardo Civallero and Sara Plaza on the role of libraries in shaping a public consciousness; Rory Rowan ...
Cover art
Sternberg Press is a London-based publishing house of art and cultural criticism, creative nonfiction, and literary and experimental fiction. Founded by Caroline Schneider in New York in 1999, it aims to support both new and established writers and nourish lasting editorial relationships. The press is committed to publishing books with an interdisciplinary focus on contemporary visual culture and related critical discourse.
Cover art
PublisherLibrary Stack2019
This pamphlet transcribes and reformats 3GRADPLUS: A Journey to the End of the World, a public performance by the Swiss journalist Hannes Grassegger, produced by the 2019 International Summer Festival Kampnagel in Hamburg. For the event, Grassegger re-enacted his reporting process for the piece “Der Fall Benjamin Green” [“The Case of Benjamin Green”] in the Swiss weekly Das Magazin, interviewing the writers, scientists, researchers and characters from the piece in the contingent and unpredictable setting of live theater. Some participants were present via video link; a few of Grassegger’s illustrations are reproduced here. Across its three hours, the event moved ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List