Katerina Gregos

KATHRIN (JUNE 20, 2008): I watched your film Loboda and listened to the sound piece His Living Voice over and over again and marveled at the mysteriousness of the two works. If I remember correctly, you exhibited them in a hut-like setting along with maps. Can you say something about the background of these two works? ANDREAS (JUNE 23): Both pieces are part of the installation May the Circle Remain Unbroken, which—as you mentioned—also consists of a series of altered maps and an altered print. All these elements are centered around issues connected to back-to-nature movements, like self-sustaining, anarchic freedom, self-awareness, ...
PublisherMomus2019
Continuing with our pursuit of the question “What makes great art?”, Lauren Wetmore sits down with Greek art historian, curator, and writer Katerina Gregos, in Brussels. Their conversation builds on a quote from Gregos’s recent exhibition The Anatomy of Political Melancholy, hosted by the Schwartz Foundation at the Athens Conservatory: “We are increasingly witnesses to the debasement of political language, the infantilization and polarization of political debate; the growth of a simplified discourse that panders to collective fears rather than addressing the real, pressing questions; the lack of accountability from politicians, and of course, ‘fake truth’ and ‘alternative facts’. ...

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