Owen Hatherley

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PublisherStrelka Press2012
There are few things in urbanism today so unfashionable as the ceremonial public square. The vast, proverbially windswept plazas built under “really existing socialism” from the 1920s to the 1980s are widely considered to be useless spaces, designed to intimidate or at least impress. Yet if they are only of use to those in power, why is it they have been used so successfully in protest? From Petrograd in 1917 to Independence Square in Kiev during the Orange Revolution, these spaces have become focuses for mass protest. Beginning in Berlin’s Alexanderplatz, and taking in Warsaw, Ljubljana, Kharkov and Moscow, Owen ...
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PublisherFailed Architecture2018
Stereotypes regarding modernist architecture, and in particular the negative discourse on Amsterdam’s Bijlmer estate, have been quite crucial in shaping Failed Architecture’s way of thinking in its early years. Can we really blame the architecture for what went wrong? How can an entire neighbourhood, where thousands of people continue to live their lives on a daily basis, be simply dismissed as a grand failure? In recent years, however, there has been a slow but steady reappreciation of modernist architecture taking place, but rather for its aesthetics than its social ideals. While architecture from that era is still being demolished at a ...
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Strelka Press is a digital-first publisher of new writing on architecture, design and the city. Reviving the essay as a popular form, we publish critical writing in digital and print editions.
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PublisherThe Avery Review2014
Amale Andraos examines cartography and Koolhaasian “bigness”; Georges Teyssot reviews that thing we call “nature”; Owen Hatherley visits three typologies of the national library; Ginger Nolan reads Andro Linklater’s recent book on land ownership (with a detour to Zaha Hadid’s Galaxy SOHO); Carson Chan recasts the monumental in the work of Aleksandra Domanović; and James Graham essays on essaying.

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