What is without a doubt, however, is that this “Letter from the Editors” is the place to express wholehearted gratitude to the artists and writers who worked on making the Palais des Beaux Arts Wien a real thing over the past four years, and just as much, to those whose contributions expanded the scope of this volume – each part of a magic circle beneath the institutional surface, an experiment in institutional forms and collaborative practices located at an unmarked street corner in Wien...

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… unfolds an itinerant encounter with nineteenth-century European naturalists in the Malay world, where the theory of evolution by natural selection emerged alongside less celebrated concerns about mass extinction and climate change; by re-considering the reverse hallucinatory condition of colonial science in the tropics—how scientists learned to not see what was manifestly present—the reader-as-exhibition-viewer may exhume from the remains of this will to knowledge an ethical conviction of particular relevance for confronting forms of neocolonization in the Anthropocene.

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A limited special edition is available at MU, Eindhoven for only 29 € In more than five years of activity, the Free Art and Technology Lab (F.A.T. Lab) produced an impressive series of projects, all developed with open source software, shared online and documented in a way that allows everybody to copy, improve, abuse or simply use them. This approach situates F.A.T. Lab in a long tradition of DIY, processual, sharable artistic practices based on instructionals, and reveals a democratic idea of art where Fluxus scores meet hacker culture (and rap music). Featuring texts by Régine Debatty, Evan Roth, Domenico Quaranta, Geraldine Juárez ...

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