Niklas Kammermeier

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In this episode Tessa Mars, a Haitian visual artist living and working in Port-au-Prince, talks about her practice as a performance that is not limited to the living body. The ancestors she is specifically referring to are those heroes of the Haitian Revolution, enslaved peoples who famously rose up against and defeated French colonial rule and the system of slavery there.
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This episode is based on a lecture by Barbara Casavecchia, who is a writer, curator, educator based in Milan, and currently mentor of the Ocean Fellowship at Ocean Space, Venice, for TBA21–Academy. She is advocating for an embodied and entangled art and politics as found in her recent experience working within a set of queer and trans-feminist archives and collectives in Milan. A written version of her lecture has been published on artsoftheworkingclass.org
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Womxn in Motion the fourth Master symposium in the series Womxn in the Arts and Leadership, took place on 7 and 8 October 2020 at the Art Institute HGK FHNW in Basel. It was dedicated to ideas and iterations of performance, and to the way in which its embodied practices—its bodies—are often framed or received by narrow notions not only of gender, race, class, geography, technology, and temporality, but of what performance itself means and entails: a body in motion, for example. Whose body, though, and what kind of movement? Movement, indeed, is always both, suggesting something singular—a body in ...
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In this episode Mayra A. Rodríguez Castro gives her lecture Hyena Days, in which she considers ideas and forms of fragment, continuance, colonial violence, and archive in the work of her chosen ancestors, particularly the exemplary work and life of the Black American lesbian poet and activist Audre Lorde. Her contribution is followed by a conversation with Italian writer, curator and educator Barbara Casavecchia, Quinn Latimer, and Chus Martínez.
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This episode is based on a panel discussion with Sonia Fernández Pan, Martina-Sofie Wildberger, Barabara Casavecchia, Chus Martínez, and Quinn Latimer. Sonia Fernández Pan is a (in)dependent curator who researches and writes through art and, since 2011, is the author of esnorquel, a personal project in the form of an online archive with podcasts, texts, and written conversations. She currently hosts the podcast series Feminism Under Corona and Corona Under the Ocean produced by the Art Institute and TBA21–Academy. Martina-Sofie Wildberger is a performance artist working on the power of language, alternative ways of communicating, and the relationship between scribality ...
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In this episode Isabel Lewis, Lynne Kouassi, and Sadie Plant are in conversation with Chus Martínez and Quinn Latimer. Isabel Lewis is a Berlin-based artist born in Santo Domingo. Trained in literary criticism, dance, and philosophy, her work encompasses myriad forms, from lecture performances to workshops, music sessions, parties, hosted occasions, and large-scale artistic/programmatic works like the Institute for Embodied Creative Practices. Lynne Kouassi is a Basel-based artist whose works explore the excluding effects of structural dominance and other normative orders, as well as the historical and social conditions that shape the relationship between body, gender, knowledge, and power. Her ...

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