Sadia Kamran

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The Biennals in Pakistan explores popular political, religious and nationalistic dogmas that have influenced art-making in Pakistan since the 1990s. It addresses the gap between the conception and the reception of public art within Pakistani society that has arisen since the country began hosting visual art biennales and festivals in Lahore, Karachi and Islamabad.
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March Meeting Papers is a series of essays selected from Sharjah Art Foundation’s March Meeting 2021 Open Call, which invited artists, writers and thinkers to expand on curator Okwui Enwezor’s influential thinking about the biennial as a platform to engage with history, politics and society. Taken together, the series reveals the extent to which the biennial, such as the Sharjah Biennial now celebrating its 30th anniversary, has contributed to the realisation of new narratives and experiences of modern and contemporary art. Sharjah Art Foundation’s March Meeting is an annual convening of artists, curators and art practitioners from around the world who ...

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