Oliver Kellhammer

Taking as its premise that the proposed epoch of the Anthropocene is necessarily an aesthetic event, this collection explores the relationship between contemporary art and knowledge production in an era of ecological crisis. Art in the Anthropocene brings together a multitude of disciplinary conversations, drawing together artists, curators, scientists, theorists and activists to address the geological reformation of the human species. With contributions by Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud, & Ida Soulard, Laurent ...

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PublisherThe Distance Plan2019
What is the relation between charisma and information? How fast can a well-turned phrase move? How does it age? In this issue of The Distance Plan we consider how, occasionally, facts or argumentative claims float free from their point of origin to become hyper-portable and cross-disciplinary. We call these memorable, animated phrases “charismatic facts” and suggest they can be found at the intersection of flair and research, savvy and data, linguistic craft and political utility. Though charismatic facts may remain lightly tethered to, and therefore validated by, their authorial or institutional home, they are at the same time un-ordinary in ...

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