Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book – the first of its kind in English – comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those interested ...

Art cannot solve the problems of 2017, Alexander Kluge says to Hans Ulrich Obrist in this issue, but it can start solving the problems of 2036. Though it may begin in the affective work of mourning, art moves towards a rational archeology and a realistic anticipation. We could call this “futurist realism,” a vision of the coming decades as a series of problems to be solved, rather than as a source for transcendent salvations or damnations of whatever fashion. Unlike the ecstatic or dispirited futurisms we are accustomed to, futurist realism looks forward with no false regrets. Bad-faith futurism, by ...

It’s settled: we’re going to lm Capital on Marx’s scenario – the only logical solution. – Sergei Eisenstein, Oct 12, 1927. Alexander Kluge’s Nachrichten aus der ideologischen Antike: Marx – Eisenstein – Das Kapital or News From Ideological Antiquity: Marx – Eisenstein – Capital, originally made for broadcast or DVD was nished in 2008 and ran 570 minutes long. This 84 minute cut prepared by Kluge for exhibition condenses this mammoth project into something like a digestible greatest hits or highlight reel. Alexander Kluge’sf film is a discursive essay about and around Eisenstein’s notes on a film of Marx’s Capital ...