Rem Koolhaas

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Publishere-flux2015
More than ever, architects today are called upon to build gestural landmarks and grandiose signature buildings. But architecture was never only about building. It is also about the flows of people, information, and resources that shape space. Today, the practice of architecture often confronts situations where these flows cannot be reduced to modernist managerial approaches to systematizing, structuring, and mastering the potentials of space. In a two-part “Architecture as Intangible Infrastructure” issue of e-flux journal edited together with Nikolaus Hirsch, the intangible and immaterial flows that today appear to exceed the language of building proper are shown by a number of ...
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AA Words One: Supercritical: Peter Eisenman meets Rem Koolhaas is based on an evening of conversation at the AA in 2006. Each architect states his views about the terms of architecture, including its theories and relationship to the city and other forms of critical and cultural practice. Responses from the audience follow, filtered through a debate moderated by Brett Steele.
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PublisherFiktion2016
The young filmmaker Rene Daalder and the architecture student Rem Koolhaas wrote the screenplay to Daalder’s 1969 film De blanke slavin (The White Slave) in 1967/68. Taking inspiration from B-movies and Luis Buñuel, it is a hall of mirrors that toys with clichés and inverts them into campy provocations. A few years after the Eichmann trial, a man named Günther Unrat arrives in the Netherlands looking for “good Germans” who helped fight the Nazi occupation. He quickly gets mixed up in a nefarious organization that inspires him to follow in the footsteps of the consummate “good German” Albert Schweitzer by setting up a camp for young ...

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