Julieta Aranda,
Brian Kuan Wood,
Anton Vidokle,
et alBernardo Ortiz Campo, Adam Kleinman, Elisabeth Lebovici, Sven Lütticken, Nataša Petrešin-Bachelez, Monika Szewczyk, Brian Kuan Wood, Anton Vidokle, [2 More...]
Repeated attempts to dismantle the aura of value and rarity surrounding art objects have been, for the most part, unsuccessful. Why is that? The majority of these attempts throughout the twentieth century have consisted of infiltrating the economy of care, custodianship, conservation, and considered attention granted to art objects upon entry into the art establishment. While the introduction of impostors into this ecosystem in the form of real-world doubles (such as Duchampian readymades) served to short-circuit the aura of authenticity within spaces of art, over time these impostors nevertheless began to perform the function of ritualizing a general sense of disbelief with ...
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