Robert Morris

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PublisherKent Fine Art2014
FLEX was an exhibition organized in 2014 by Orlando Tirado that placed a new sculpture and performance of mine with contemporaries Math Bass, Dan Finsel, and Molly Lowe, alongside works by historical figures Richard Artschwager, James Lee Byars, Guy de Cointet, Marcel Duchamp, Robert Morris, and Myron Stout. This folio/catalog, released in conjunction with the exhibition and printed on folded newsprint, served as a checklist for the exhibition, provided historical context, and expanded on the exhibition’s aim to provide an “alternative to presupposed identity politics, one that re-defines the body against the grain of a representational impulse.” In an in-depth ...
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This book, also known as One Month, was organized by Seth Siegelaub and took the form of a page-a-day calendar for the month of March 1969. Siegelaub developed the book by assigning each of the 31 invited artists a specific day of the month (and its corresponding page) upon which they would construct a work. These text-based works were then collated and published by Siegelaub, leaving blank the pages assigned to artist who failed to respond. The participating artists were Carl Andre, Mike Asher, Terry Atkinson, Michael Baldwin, Robert Barry, Rick Barthelme, Iain Baxter, James Lee Byars, John Chamberlain, Ron Cooper, Barry ...
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This catalogue, organized by Seth Siegelaub, both documents the works assembled to raise money for the United States Servicemen’s Fund (USSF) as well as inaugurates the fund’s art collection. The USSF was an organization established to promote free speech within the US military and was heavily engaged in anti-Vietnam War activity through both the funding and support of independent GI newspapers as well as various cultural actions and events. It also worked to defend the legal rights of GIs. Participating artists include Keith Sonnier, Robert Morris, Robert Smithson, Robert Murray, Robert Huot, David Diao, Gene Davis, Al Held, Robert Ryman, Alex ...
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This book exhibition—also known as the Xerox Book—was organized and published by Seth Siegelaub in 1968. Both presenting a range of artists associated with Siegelaub’s curatorial practice and utilizing unconventional modes of exhibition, this book marks ongoing attempt by Siegelaub to show work outside of the gallery setting, and his first time showing an exhibition in book form. Furthermore, Siegelaub asked each artist in the exhibition to create 25 pages of work that responded to the photocopy format. Though the Xerox process proved financially unfeasible—the works ultimately being reproduced through the more conventional printing press—the book continued to be referred ...

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