Fiona I.B. Ngô

Cover art
PublisherThe Funambulist2014
This conversation with Fiona I.B. Ngô focuses on her book, Imperial Blues (2014) that develops a discourse around the simultaneous suppressive and productive aspects of race and sex through a travel in the various geo(chrono)graphies of New York in the 1920s. We talk of the various signs (bodies, objects, spaces) created and worn to reference the imperial vision of that that it is not. We also converse about the movement of bodies, at a transnational level, as much as at the level of the body dancing (“the cops are here, let’s play a waltz!”) without forgetting the movement between various neighborhoods of New ...

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