Paul O’Neill

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PublisherOnCurating.org2011
The reader presents a cross-section of the voices that populate the ongoing debate about, on the one hand, how and in what terms curating functions as a critical cultural practice, and on the other, what methodologies and histories exist with which we can critically analyse curatorial work today. This collection of essays was first published in 2007 by Revolver, in Frankfurt am Main and ICE, Institute for Curatorship and Education as the first ICE Reader…
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PublisherNorth Drive Press2006
For NDP#3 and NDP#4, Sara Greenberger Rafferty, another artist committed to collaboration and artist-produced publications, joined North Drive Press as co-editor. Sara and Matt expanded North Drive Press to include exhibition and print publishing programs—separate from but complementary to the annual NDP publication. They organized an evening at New York’s performance venue The Kitchen, published a suite of Exquisite Corpse prints, and exhibited at NADA and various other venues.
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PublisherOnCurating.org2010
Can curating make a change? And if so: how? As a result of the expanding market for contemporary art, the upsurge of biennials, art fairs and large group exhibitions, and the construction of numerous new museums for contemporary art during the 1990s, the role of the curator has undergone profound changes. From being a marginal character working within the confines of the museum, the curator has come to inhabit a freer and more centralized position within the artworld at large…
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PublisherOnCurating.org2014
This issue of OnCurating consists of a variety of texts and interviews, which were developed out of interviews from participants connected to the Postgraduate programme in Curating (www.curating.org). Many of the authors and interviewees gave lectures and participated in the programme over the last four years, adding to the dialogue in the postgraduate programme, as well as other curators in the field. In the spirit of slowing down, in sometimes rather a hastily discourse, we would like to present them to a broad public, which engages with our main topics: politics of display, politics of site and politics of transfer and ...

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