Solveig Øvstebø

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The phrase “I is for Institute” is at once a declaration, a prompt, and a position. When ICA celebrated its 50th anniversary in 2013, we considered our next chapter by digging deep into our archives and reflecting on the many individual artists, curators, and exhibitions that had shaped our history. Taking a step back from these granular investigations, we then began to ask more general questions: Why were we initially formed as an institute? Has the definition of an institute been stable throughout our history, or has it taken on different meanings and inflections over time? What does the notion ...
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Accompanying the exhibition Making is Thinking (23 January – 1 May 2011) Witte de With presents its first digital publication. To highlight the importance placed on process by Making is Thinking, the book was developed over the course of the show. Thinking along with the exhibition, it was made available online in installments. The publication can now be downloaded for free in its entirety. It features a historical perspective on craft by Alice Motard; a short story by Yoshiko Nagai, inspired by Teppei Kaneuji’s animation Tower; a conversation between artist Ane Hjort Guttu and Solveig Øvstebø titled The Emancipation of Forms; an ...

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