Richard Pell

Taking as its premise that the proposed epoch of the Anthropocene is necessarily an aesthetic event, this collection explores the relationship between contemporary art and knowledge production in an era of ecological crisis. Art in the Anthropocene brings together a multitude of disciplinary conversations, drawing together artists, curators, scientists, theorists and activists to address the geological reformation of the human species. With contributions by Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud, & Ida Soulard, Laurent ...
… is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.

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