Bojana Piškur

The Heritage of 1989. Case Study: The Second Yugoslav Documentspresents a re-enactment of the last big art exhibition in Yugoslavia. Titled Yugoslav Documents ’89, it was curated by the artists Jusuf Hadžifejzović and Rade Tadić and realized under the auspices of the ZOI ’84 Olimpijski centar Skenderija in the 8,000-square-meter Skenderija Center in Sarajevo in 1989. This was surely one of Yugoslavia’s largest exhibitions, if not, indeed, the largest. This re-enactment is interested in Yugoslav Documents primarily because this was the largest exhibition that bore the label “Yugoslav”, a label that, among other things, was meant to strengthen the ideology ...

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In the early years of the 21st century, Europe seems uncertainly placed between a deep sense of its own historical importance and anxiety about where it may go in the future. The European project, which for many of our institutions was a guiding principle, has run aground on the rocks of neo-liberalism and an economic priority that forgot about society’s politi- cal and cultural dimensions. The national project, on which the foundations of our museums (along with most of Europe’s other cultural institutions) were based, retains little of its 19th century ambitions to progressive, democratic thinking. As a result, cultural ...

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