Pamela Rosenkranz

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PublisherSculptureCenter2012
A Disagreeable Object brings together 20 artists who employ and borrow from the methods and artistic practices that the Surrealists developed in the first half of the century. This is not an exhaustive survey, nor an attempt to re-consider our understanding of Surrealism as an historical movement. Rather, the exhibition offers a view of contemporary sculpture identifying influences and attitudes that have filtered through decades of cultural production. The works in A Disagreeable Object respond to a decidedly contemporary context…
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Halmos is a collaborative distribution platform and diachronic publisher. It has facilitated new writing and works by numerous artists including Pamela Rosenkranz, Sam Lewitt, Tobias Madison, Dexter Sinister, Mark von Schlegell, Ed Atkins and many others. Halmos projects have been exhibited at the ICA Philadelphia; Objectif Exhibitions, Antwerp; the Museum of Art and Design, NY; Miguel Abreu, NY; Artists Space, NY; Hessel Museum of Art, NY; and Art in General, NY.
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PublisherUrbanomic2016
Pamela Rosenkranz peers into the evolutionary depths of the colour blue.
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Musk is a fluid that is akin to the human body. Originally obtained from a gland of the musk deer, it was already in use in Ancient Persia. If dosed correctly, the odor it yields is perceived as enticing. An overdose, however, smells repellent. The neuronal reactions to which musk gives rise are similar in human beings and animals. But musk is also a stabilizer for other scents applied to the human skin. Numerous products take advantage of this quality. Due to its expensiveness and in response to animal-rights concerns, the most common form of musk in the cosmetic and ...
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PublisherHalmos2012
“Weep no more, citizens; they breathe, these celebrated men for whom we cry; our patriotism reanimates them” Presented in honor of Marat and Le Pelletier, “Citizen Sade” wrote this memorial address at the height of violence during the French Revolution, just after the start of the Reign of Terror. The text, effusive and cloyingly patriotic, brings to question the Sade’s own political position – a provocative impulse all the more remarkable given the addresses audience: the gathered Section des Piques, amongst the most hardline Jacobin districts of Paris. Though frequently cited and made infamous as the inspiration for Peter Weiss’ influential ...

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