Paul Stewart

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PublisherOnCurating.org2020
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
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PublisherOnCurating.org2016
“We often have in mind the example that Brecht uses to describe the interval, the suspended time where in the middle of a play on stage the actors aren’t playing – so they are no longer actors – and the spectators don’t have anything to watch – so they are no longer spectators, it is a very beautiful picture of a moment of de-subjectivization, a small human strike.” Originating in Viktor Shklovsky’s analysis of Russian formalism, ostranenie describes the strategy of estrangement – the moment in an artwork that briefly overturns the sense that things have always been as they seem. ...

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