Ravi S. Vasudevan

PublisherSarai, CSDS2001
A Sarai is an enclosed space in a city, or, beside a highway, where travellers and caravans can find shelter, sustenance and companionship; a tavern, a public house, a meeting place; a destination and a point of departure; a place to rest in the middle of a journey… The Sarai Reader (which is the first of what we hope will be more such collections) can be seen both as a navigation log of actual voyages and a map for possible journeys into a real and imagined territory that we have provisionally called the “Public Domain”. This republic without territory is a ...
PublisherSarai, CSDS2002
This year’s Sarai Reader brings together a range of critical thinking on urban life and the contemporary, marked by spreading media cultures, new social conflict and globalisation. Scholars, media practitioners, critics and activists use a flow of images, memories and hidden realities to create a fascinating array of original interventions in thinking about cities today. In the context of India, where a large part of this reader has been edited, this is significant, given the frugality of writing on city life in this part of the world. With essays, images, analyses, and manifestoes The Cities of Everyday Life reflects on the ...
PublisherSarai, CSDS2003
Sarai Reader 03: Shaping Technologies sets out to ratchet our engagement with the contemporary moment a notch higher, in directions that are sober, exhilarating and discomfiting, all at once… Shaping Technologies brings together a host of original writing and images on these and other themes by a collection of writers, theorists, critics, photographers, philosophers, engineers, activists, artists, media practitioners and programmers from all over the world. It also excavates and connects little known histories with our present reality, finding, for instance, in Rabindranath Tagore’s account of being airborne in 1934, an oblique way of reflecting on the consequences of aerial bombardment, the dehumanising ...
PublisherSarai, CSDS2004
“The book itself has its genesis in the Crisis/Media Workshop that was jointly organized in Delhi by Sarai-CSDS, Delhi and the Waag Society, Amsterdam, a year ago in March 2003. The concept, outlined in the workshop publication by Shuddhabrata Sengupta and Geert Lovink, was a response to 9/11, the invasion of Afghanistan, the violence in Gujarat and the Kargil war. Over 3 days, participants from many different parts of South Asia and the world gathered to debate and dissect the relationship between the notion of crisis and the media, exactly one year after Gujarat had gone up in flames, and ...

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