Elena Zieser

With the third symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature—and of all that is naturalized or deemed unnatural by hegemonic discourses and policy—is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women—often poor and Indigenous women—are overwhelmingly at the forefront of this violence as the very first recipients of. What kind of political and cultural transformation ...
Episode 15: Attention The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Mareike Dittmer, ...
We affirm ourselves as the center of evolution by saving it from our own destruction. Our new heroism is to keep things, at best, as bad as they are. What does good even mean? We are the joke of evolution—and nobody’s laughing. Listen to Chus Martínez in conversation with marine scientist Skye Morét and writer Ingo Niermann.
Episode 19: Big Bang (Disputaziuns Susch, The Magicians of the Mountains) The first episode in a series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Aleksandra Mir imagining an artist and a scientist sitting on a train where a conversation ensues about objective realities, space exploration, negative space and belief. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019’s editions circling around ...
Episode 21: Breaking the Waves (Disputaziuns Susch, The Magicians of the Mountains) The third episode in the series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Elisabeth Bronfen looking at Virginia Woolfe’s ‘Breaking the Waves’ and comparing Woolfe’s feeling of ‘walking a tightrope over nothingness’ to Heidegger’s notion of individual existences as ‘being thrown’ into the world. Also the horizon (see episode two) is returning to the debate. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and ...
Science has to generate output. Art has to cater to an audience. Could art and science join forces to free science from definite outputs and art from definite audiences? Or would art then also be measured by its outcome and science by its audience? Listen to Chus Martínez in conversation with artists Julieta Aranda, Marco Roso, and Elena Mazzi.
With the third Symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature— and of all that is naturalized or deemed unnatural by hegemonic discourses and policy — is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women — often poor and Indigenous women — are overwhelmingly at the forefront of this violence as the very first recipients of. ...
Episode 16: Environments The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: Space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Raffael Dörig, ...
Our nature inclines us to listen to stories, not to lists, charts, and equations. To change our mind, we need a compelling narrative that turns obstacles into challenges and chances into hopes. The role of art is to foster that transformation, but also to spoil it wherever it’s lame. Listen to Chus Martínez in conversation with artists Lena Maria Thüring and Teresa Solar.
Episode 4: Fear Selina Grüter & Michèle Graf, Miriam Laura Leonardi, Hannah Weinberger in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field ...
Episode 2: Gossip Camille Aleña, Stefanie Hessler, Elise Lammer, Nora Berman (from the audience) in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the ...
We tried to free ourselves from nature but exploited it to the point of self-destruction. Nature seems to have brought us back, but we actually never left. We just forgot about nature—including our very own. Listen to Chus Martínez, head of the Art Institute in Basel, Markus Reymann, director of TBA21–Academy, and marine scientist Skye Morét.

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