These past few years, the fairly ancient concept we call “truth” has been bandied about the place quite a bit. Our social trust barometers, for a long time calibrated with “politician” on one side and “scientist” at the other, have been thrust into stormy weather. People like Donald Trump and Richard Dawkins have buried the needle into extremes of rhetorical squall, political uproar and techno-scientific demand, operationalising belief and fact in excessive ways — destructive of both self and others. The rest of us, muddling through this other ancient concept we call “modern life”, try and poise ourselves somewhere in ...

Like all collaborative endeavors, bringing together an edited collection is about fixing as much as gathering the insights and details (and yes, flaws and limits) of individually or jointly conceived pieces to bring about a larger conversational whole – a drawing forth, or drawing together, of scattered threads and pieces into something considerably messier than a quilt. All the more so when the collection is the result of a generative collaboration, bringing guest editors Lara Houston, Daniela K. Rosner, Steven J. Jackson in conversation with the continent. collective to present this special issue “R3pair Volume”. The conversation of course runs ...

Désoeuvrement! Variously translated as unworking or inoperativity is a notion that haunts contemporary political theory and practice. Unworking overturns the typical valuation of work and action as positive and constructive and opens an avenue to think radical passivity and inactivity as aesthetic and political practices that question the modernist mantra of purposeful production and ceaseless activity. At its most basic, unworking is the critique of work and of everything that we imagine as such. The work of community-building for instance, the work of art, work as wage labour, even psychoanalysis, imagined as ‘working through’. This issue of continent is dedicated to unworking in its various guises. ...

What is without a doubt, however, is that this “Letter from the Editors” is the place to express wholehearted gratitude to the artists and writers who worked on making the Palais des Beaux Arts Wien a real thing over the past four years, and just as much, to those whose contributions expanded the scope of this volume – each part of a magic circle beneath the institutional surface, an experiment in institutional forms and collaborative practices located at an unmarked street corner in Wien...

What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus ...