K. Verlag

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PublisherK. Verlag2014
Air Raid Precautions, Handbook No.11 1939/2014   The majority of errors in the field of aesthetics spring from the eighteenth century’s false premise in the field of ethics. – Charles Baudelaire Camouflage of Large Installations is a rare World War II handbook created by the British Government as a guide for factory owners to implement the then new theories of camouflage in order to protect industrial assets.  The handbook is composed of three sections: instructional, advertising by corporations supplying camouflage services and full-page colour swatches.  The full-page colour swatches are particularly beautiful and when viewed aesthetically are interesting forerunners to the history of monochromes, specifically Yves Klein’s ...
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PublisherK. Verlag2021
As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? Despite Dispossession: An Activity Book extends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed. Bringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure ...
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Fantasies of the Library is a sequence of pages wherein the reader-as-exhibition-viewer learns, rather surprisingly—but with growing conviction—that the library is not only a curatorial space, but that its bibliological imaginary is also a fertile territory for the exploration of paginated affairs in the Anthropocene.
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The intercalations: a paginated exhibition series is conceived as a curatorial-editorial space to both host and critically reflect on the collaborations among members and affiliates of the SYNAPSE International Curators’ Network of the Haus der Kulturen der Welt, Berlin, while enabling explorations of the book as a form of exhibition architecture in relation to other aesthetic practices in the Anthropocene. In addition to its function as a vehicle to document the collaborations of the SYNAPSE network, this book-as-exhibition series aims to expand the discourse of curatorial knowledge production within a broader multidisciplinary field of research and experimentation. The series gradually ...
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Land & Animal & Nonanimal is an ensemble which contends that the meaning of the Anthropocene is less a geological re-formation than it is trans-formation of both land and animal; once exposed to some of the parameters defining this transition, the reader-as-exhibition-viewer may begin to discern erratic rhythms generated by the creatures of nonconformity that inhabit, with their violence, struggles, and love the vast, machinic reality called Earth.
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PublisherK. Verlag2020
Love with Obstacles (Amor Rojo) brings together Spanish artist Dora García’s collaborative research on the life and legacy of Alexandra Kollontai (1872–1952)—a revolutionary, socialist, feminist, activist, and intellectual. From 1922 to 1945, Kollontai was a Soviet ambassador in various countries, including Mexico. She was a key agitator for the sexual and social emancipation of women; as the only female member of the first Soviet government, she also managed to implement many measures women continue to fight for today, including the legalization of abortion and the protection of women’s rights. Already at the end of the 1920s, Kollontai’s texts had been ...
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Reverse Hallucinations in the Archipelago unfolds an itinerant encounter with nineteenth-century European naturalists in the Malay world, where the theory of evolution by natural selection emerged alongside less celebrated concerns about mass extinction and climate change; by re-considering the reverse hallucinatory condition of colonial science in the tropics—how scientists learned to not see what was manifestly present—the reader-as-exhibition-viewer may exhume from the remains of this will to knowledge an ethical conviction of particular relevance for confronting forms of neocolonization in the Anthropocene.
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PublisherK Verlag2012
The Subjective Object engages with the controversial site of the ethnographic museum and the role of the archive. In particular, the 1920’s photographic archive of  from India by the German physical anthropologist and racist theorist Egon von Eickstedt (1892–1965) serves as a case study for an investigation into the role of historical artifacts in light of contemporary political situations. The nine interviews with curators, artists, anthropologists, and social workers provide the core of the book actively discussing the complicated issues around the archive’s function in producing knowledge. An annotated thread of images serves as a critical apparatus addressing the visual ...
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The Word for World is Still Forest creates a space for the reader-as-exhibition-viewer to consider how forests may be seen not only for their trees, but also how they can enable experiences of elegance, affirmation, and creation for a multitude of creatures. in response to their violent destruction, which characterizes the Anthropocene, these pages traverse various woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in order to reveal how practices of care, concern, and attention also enable humans to inhabit and flourish in this world as forest.
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PublisherK. Verlag2020
As the author recently moved to Manhattan, he fulfilled a lifelong dream: to write his own version of Walter Benjamin’s “Unpacking My Library” while reorganizing his 10,000 volumes. Unpacking My Library, or, The Autobiography of Teddy is the tale of this uprooting, a series of meditations on place, time, and loss. In the course of this displacement, the author explores memory and nostalgia as he en­counters a Pulcinella pincushion doll, a roly­ poly Daruma, and the strangest and most intimate of interlocutors with whom the book is co-authored: his first Teddy Bear.

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