Seeing is Forgetting

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Janet speaks about the living archive of the Martha Graham Dance Company and its evolving legacy, keeping new classics relevant for a contemporary audience, and engaging a new generation in collaboration.
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This special five part series has been commissioned by Flag Art Foundation for their exhibition The Times. The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the “paper of record” to address and reframe issues that impact our everyday lives. The interviews are with current and former editors and writers who speak about their experiences working for The New York Times, including David Colman, contributing writer, ‘Style Section’; Andrea Kannapell, Briefings editor; Randy Kennedy, writer, ‘Arts section’; Michael Owen, Editor of the News Desk; and Rick Rojas, writer, ‘Metro Section.’
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This special five part series has been commissioned by Flag Art Foundation for their exhibition The Times. The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the “paper of record” to address and reframe issues that impact our everyday lives. The interviews are with current and former editors and writers who speak about their experiences working for The New York Times, including David Colman, contributing writer, ‘Style Section’; Andrea Kannapell, Briefings editor; Randy Kennedy, writer, ‘Arts section’; Michael Owen, Editor of the News Desk; and Rick Rojas, writer, ‘Metro Section.’
Cover art
This special five part series has been commissioned by Flag Art Foundation for their exhibition The Times. The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the “paper of record” to address and reframe issues that impact our everyday lives. The interviews are with current and former editors and writers who speak about their experiences working for The New York Times, including David Colman, contributing writer, ‘Style Section’; Andrea Kannapell, Briefings editor; Randy Kennedy, writer, ‘Arts section’; Michael Owen, Editor of the News Desk; and Rick Rojas, writer, ‘Metro Section.
Cover art
This special five part series has been commissioned by Flag Art Foundation for their exhibition The Times. The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the “paper of record” to address and reframe issues that impact our everyday lives. The interviews are with current and former editors and writers who speak about their experiences working for The New York Times, including David Colman, contributing writer, ‘Style Section’; Andrea Kannapell, Briefings editor; Randy Kennedy, writer, ‘Arts section’; Michael Owen, Editor of the News Desk; and Rick Rojas, writer, ‘Metro Section.’
Cover art
This special five part series has been commissioned by Flag Art Foundation for their exhibition The Times. The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the “paper of record” to address and reframe issues that impact our everyday lives. The interviews are with current and former editors and writers who speak about their experiences working for The New York Times, including David Colman, contributing writer, ‘Style Section’; Andrea Kannapell, Briefings editor; Randy Kennedy, writer, ‘Arts section’; Michael Owen, Editor of the News Desk; and Rick ...
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Michael and I discuss music, the Midwest, and his path to opening and closing a gallery in Los Angeles. He goes into detail about the highs and lows of running a gallery as well as why he decided to eventually close the space.
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Kibum Kim, owner of the gallery Skibum MacArthur, is a lawyer, a teacher, and co-founder of the NEWD Art Fair. We discuss his many endeavors, as well as the future of the Korean art market and the resurgence of the Dansaekhwa movement.
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Claire delves into the focus of her dissertation, collage and narrative in Los Angeles in the 1960s and 1970s, and its relationship to contemporary art, as well as her work as a curator and writer. As an accomplished musician, she regularly performs throughout Los Angeles, and we discuss her participation earlier this year as a singer in Yael Salomonowitz’s performance project at Paramount Ranch III.
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Alison O’Daniel discusses her recent exhibitions and her ongoing work in video, performance, sound, and installation.
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Amir and I discuss how issues of identity manifest in his painting and daily life, his family’s immigration into the United States from Iran, as well as running a successful studio and surviving as an artist.
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Soo speaks about her life as an artist and educator, the lack of equivalency in teaching standards, the role art schools in Los Angeles play in creating community, and the pressures artists deal with in producing work for commercial spaces.

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