Capital Flows

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Developed through conversations with members of the art world and written with the help of lawyer Robert Projansky in 1971, Seth Siegelaub’s Artist’s Reserved Rights Transfer And Sale Agreement was designed to safeguard the economic interests of artists, particularly in the case of an artwork’s resale, reproduction, or rental. Intended to serve as an accessible document for all artists, the contract was written in an easily comprehensible style and was widely distributed through art journals and magazines—characteristics shared by much of the artwork Siegelaub was currently representing. Since its publication in English, French, German, and Italian, the document has been ...
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PublisherStylus2017
This unspeakable horror was prepared by Stylus, a “global innovation research and advisory firm, which works with businesses to stimulate innovation and growth.” Full of quotes like “Globally, 69% of UHNWIs have become more conscious about displaying their wealth in public over the past decade,” it’s a guide to trends in maintaining wealth and well-being while assuring nobody resents you for it. There are suggestions for how luxury brands can stand out through charity or “meaningful minimalism” and coerce the desired UHNWI’s to their brands. Also included are tips for where and how to hide when society crumbles. In times ...
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Publisherinhabitants2013
It is the summer of 2013. Inside an empty news studio, a teleprompter rolls messages on its screen narrating the events that led to the closing of the Greek public television network (ERT) as a consequence of the European crisis and its austerity-ridden economy. It reads: “ERT may have been the last television channel to ever broadcast, the first and last television signal to be interrupted.” With the shutdown, 2,700 ERT employees were sacked. ERT’s ending was broadcast live, and its last report was an image of the people that had gathered outside the station, protesting against its closure. At the ...
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Bifurcating means: reconstituting a political economy that reconnects local knowledge and practices with macroeconomic circulation and rethinks territoriality at its different scales of locality; developing an economy of contribution on the basis of a contributory income no longer tied to employment and once again valuing work as a knowledge activity; overhauling law, and government and corporate accounting, via economic and social experiments, including in laboratory territories, and in relation to cooperative, local market economies formed into networks and linked to international trade; revaluing research from a long-term perspective, independent of the short-term interests of political and economic powers; reorienting digital ...
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Capital at the Brink reveals the pervasiveness, destructiveness, and dominance of neoliberalism within American society and culture. The contributors to this collection also offer points of resistance to an ideology wherein, to borrow Henry Giroux’s comment, “everything either is for sale or is plundered for profit.” The first step in fighting neoliberalism is to make it visible. By discussing various inroads that it has made into political, popular, and literary culture, Capital at the Brink is taking this first step and joining a global resistance that works against neoliberalism by revealing the variety of ways in which it dominates and ...
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PublisherValiz2022
CAPS LOCK uses clear language and striking visual examples to show how graphic design and capitalism are inextricably linked. The book contains many case studies of designed objects related to capitalist societies and cultures, and also examines how the education and professional practice of (graphic) designers supports the market economy and how design practice is caught within that very system. The content of CAPS LOCK is structured in chapters with titles of professions that designers can occupy (such as Educator; Engineer, Hacker, Futurist, Activist, etc.). These titles respond to the importance of not just how designers make work, but also ...
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Publisheronestar press2011
Consummation Breakdown is a book with two front covers which THEREFORE offers two-directional reading. If read following one of the covers, this book shows the facsimile of a chronological arrangement: ordinary till receipts collected by the artist AND folded over the bottom of the right page, concealing the last bit of information WHICH IN TURN shows on the the left page overleaf. Flicking the pages backwards and upside down (following the other cover), one can read an index of phrases terminating each transaction, on the corresponding upright ends of each receipt.
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PublisherUrbanomic2016
In his response to Badiou’s analysis of globalisation, subjectivity, and terror, Mark Fisher calls for a new politics to counter both the decadence of capitalist realism and the nihilistic appeal of ISIS.
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PublisherGauss PDF2014
Zac Posen my franchetti spotted your cashmere elegance parades across crowded caramel bistros eternally wild smoke clears the air…
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PublisherAutonomedia2013
The book explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process? If it is indeed possible or desirable, what alternative business models emerge? The book is concerned broadly with business as (artistic) material for reinvention, including critical writing and examples of art/activist ...
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Publisheronestar press2015
I have produced an “empty book” where the front and back covers share the same photograph from Reuters that reported on two different earthquakes in two different countries at two different times. For this artist book edition, a pounded gold leaf† produced in Bangkok, Thailand has been inserted. The value of the gold from Thailand is equal to the cost of the book’s production cost in Orthez, France. The gold leaf and this book share the same value even if created from two very different points of departure. † Note that flipping of the pages of this book will pulverize and disperse ...
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This publication accompanies the exhibition The End of Money (22 May – 7 August 2011), curated by Juan A. Gaitán, assisted by Amira Gad, at Witte de With, Center for Contemporary Art (Rotterdam, The Netherlands). The book includes a number of contributions that extend the exhibition proper beyond its self-contained existence in the gallery space. In this respect, it is also a vehicle through which the exhibition can find different discursive grounds for exploring the theme of the end of money, both as a literary and as an iconographic motif. Beyond the aforementioned essays by Dessislava Dimova, Donatien Grau, and ...

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