Ecology

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PublisherThe Funambulist2014
This conversation is an introduction to the research conducted by Greg Barton for his thesis at CCCP (Critical, Curatorial & Conceptual Practices) at Columbia University. This research is essentially focused on Diego Garcia island situated in the middle of the Indian Ocean, a territory that was never decolonized and remains under British sovereignty. The island hosts a US military basis that was used for its geographic location during the cold war, the first Gulf War, and now the so-called “war on terror.” Similarly to Guantanamo’s Camp Delta, a legal narrative had to be produced in order for the basis to operate ...
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PublisherInhabitants2015
Climatologists have confirmed it is now too late to avoid certain global warming and that a shift to a low or zero carbon economy is thus vital. This implies an urgent transition to renewable energy sources as well as radical adaptive measures, which collide against established industrial monopolies. This episode gathers several geoengineering patent applications, and through these documents presents the history of these emerging technologies and the private interests, actors, think tanks, and corporations behind them. Within the debate of climate change mitigation, geoengineering—the technological management of weather patterns and carbon capture processes—occupies an especially politicized place. It has slowly ...
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PublisherTriple Canopy2019
“How could my grandmother have made millions from the antiquated traditions and ridiculous superstitions that I’d been so desperate to abandon?” An essay on the monetization of traditional Chinese medicine and failed promises of diaspora. “Aconite, My Roots,” by Henry Zhang is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
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With the third symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature—and of all that is naturalized or deemed unnatural by hegemonic discourses and policy—is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women—often poor and Indigenous women—are overwhelmingly at the forefront of this violence as the very first recipients of. What kind of political and cultural transformation ...
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In the face of climate chaos, post-truth politics, and growing tribalisms, it’s clear that liberalism’s old structures are unraveling. Drawing on resilience ecology, Stephanie Wakefield suggests we understand such phenomena to be indicators that we are entering the Anthropocene’s back loop, a time of release and collapse, confusion and reorientation, in which not only populations and climates are being upended but also physical and metaphysical grounds. Anthropocene Back Loop takes us on a journey though different responses and manifestations of the back loop, exploring urban resilience infrastructures, post-apocalyptic imaginaries in fiction and critical theory, and a range of everyday practices ...
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PublisherSALT2015
Becoming Istanbul is a critical dictionary exploring the problematics of Istanbul. Made up of 152 entries focusing on transformations to the city, clichés used by observers to evaluate these transformations, and commonplace complaints and conditions, Becoming Istanbul invites the reader to question and critique popular discourses. This collection of original writings, seeking to examine Istanbul from different perspectives, has brought together a diverse selection of writers, including architects, musicians, urban planners, orchestral conductors, activists, sociologists, economists, film critics, authors, museum directors, geographers, reporters, anthropologists and historians.
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We affirm ourselves as the center of evolution by saving it from our own destruction. Our new heroism is to keep things, at best, as bad as they are. What does good even mean? We are the joke of evolution—and nobody’s laughing. Listen to Chus Martínez in conversation with marine scientist Skye Morét and writer Ingo Niermann.
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PublisherEECLECTIC2018
Philosophical thoughts by birds, drawn and put into words by the artist. „Birds“ was inspired by Jim Goldberg’s „Rich and Poor“, a collection of photographs of rich and poor Americans, each with a handwritten statement by the subject, thereby creating a heart gripping portrait of the USA. It was a logical step to have an ornithologist (a fictional ornithologist) portrait birds in a similar way, for they have just as much to say about the human condition. If people would only listen. “I have no idea what people think of me, I don’t think much of them, that’s for sure. Life is a bitch for ...
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Contemporary art almost invariably presents ideas and aesthetics on a symbolic, referential level, particularly when it concerns itself with ecological issues. What this means is that it tells a story that does not include its material realities in that story. The effect this has is that the artwork hides its own material use, social impact, energy use, and other conditions necessary for its production and reception. We need to understand what is at stake when an artwork’s primary form and mode of communication replicates the very problems of a society it reflects on.
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The third BKDN BKDN workbook is for facilitating Deep Listening sonic meditations with others to individually and collectively experience immersive ecological entanglement. The publication is a tool for sinking in to relationships you have with the world around you, helping to bypass the ways you have been taught to limit or ignore the subtleties of the more-than-human world you are immersed in. This workbook has been developed over the past decade through many experiments in Deep Listening sessions that I have facilitated. Since first being exposed to Deep Listening, I was interested in how it could create empathies with the ...
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Science has to generate output. Art has to cater to an audience. Could art and science join forces to free science from definite outputs and art from definite audiences? Or would art then also be measured by its outcome and science by its audience? Listen to Chus Martínez in conversation with artists Julieta Aranda, Marco Roso, and Elena Mazzi.
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“The first episode Oceanizing History, emerged from a conversation with professor and curator Greg Dvorak. Author of the book Coral and Concrete: Remembering Kwajalein Atoll Between Japan, America, and the Marshall Islands (2018), Greg teaches at Waseda University in Tokyo and researches the postcolonial histories of Japan and the USA in Oceania. His work is related to his personal biography, spending part of his childhood on a US military base in Kwajalein Atoll in the Marshall Islands. The meeting with Greg took place in mid-April 2020, when the global lockdown was already becoming a new normal. He was in Tokyo ...

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