Surveillance in Art

PublisherMeson Press2019
Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.”
‘Today we are facing extreme and most dangerous developments in the thought of security. In the course of a gradual neutralisation of politics and the progressive surrender of traditional tasks of the state, security imposes itself as the basic principle of state activity. What used to be one among several decisive measures of public administration until the first half of the twentieth century, now becomes the sole criterion of political legitimation. The thought of security entails an essential risk. A state which has security as its sole task and source of legitimacy is a fragile organism; it can always be ...
PublisherDroste Effect2018
Robotics and soft AI are bringing everyday changes both to the work field and to our free time. How does this condition reflect itself on the artistic practice? Can we humans liberate ourselves from our anthropocentric viewpoint and accept the intellective superiority of machines? Will we be able to overcome our fear of automation? In the utopian view of a fully automated production, not only work ethics should be re-thought, but also our certainties about aesthetics.
Glass Bead is a research platform and a journal concerned with transfers of knowledge across art, science and philosophy, as well as with their practical and political dimensions. It was conceived and is run by Fabien Giraud, Jeremy Lecomte, Vincent Normand, Ida Soulard and Inigo Wilkins. We are artists, art historians and theorists based in Paris and London. Glass Bead’s project is defined by its two distinct yet interconnected activities: Journal and Research. Research comprises the organization of private and public Events (workshops, conferences), an Audio Research Program (made of the recording of the talks of the events and of special interviews), and ...
PublisherMeson Press2019
Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life?
PublisherMeson Press2018
Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?
Contributions from over 30 artists and writers working with experimental forms of algorithmic media.  
PublisherWilliam Wiebe2018
Published on the occasion of the exhibition Chekhov’s Gun at 062 Gallery. An industrial revolution is a product test that everyone participates in. One’s participation is induced by the diffusion of new technologies, the depth of their adoption and their aggregate influence.1 In a promotional video, the World Economic Forum heralds the fourth industrial revolution as “blurring the lines between the physical, digital, and biological spheres.”2 A visit to Davos truly is not complete without an experience of these new forms of time compression. Try out the seventy-five minute refugee simulation sponsored by Facebook.3 Tell us about your experience having your ...
Ruben Pater, working under the name Untold Stories, describes his work as creating “visual narratives about geopolitical issues” and creating “new relations between journalism and design”. He most recently is the author of the book, The Politics of Design, where Pater explores the cultural and political context of the typography, colors, photography, symbols, and information graphics that we use every day. In this conversation, I talk with Ruben about the book and the relationship between design and journalism, showcasing his process as the artifact, the importance of studying design outside of the traditional Western canon, and why he still calls himself ...
PublisherWilliam Wiebe2017
Suprahuman is the product of a collaboration between William Wiebe and Dr. John Santerre, a computer scientist working on the development of scalable machine learning techniques for use on cancer and antimicrobial resistance. In the book, Wiebe and Santerre bring aerial surveillance into conversation with research imagery integral to the evolution of cutting-edge deep neural networks, a juxtaposition that recognizes the persistent links between military power and scientific advancement. This relationship is especially relevant to the funding and development of artificial intelligence, which has largely been underwritten by the Defense Advanced Research Projects Agency. Our work explores the possibilities of a concealment sited ...
The Wages for Facebook manifesto appeared anonymously online in 2014. Its website consists of a single page with the manifesto written in bold letters scrolling automatically, denying visitors the ability to use the patented swipe gesture or the scrollbar. Wages for Facebook refers to a 1975 text “Wages against Housework” by Silvia Federici, the feminist author and activist, which addressed the invisible role played by women’s affective labor as mothers, wives, and housewives (although not exclusively) in sustaining capitalism. In the same vein, Wages for Facebook demands that our time spent online, on social media platforms be recognized for what it is: ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List