Electronic Surveillance

Cover art
Episode Two explores the benefits and disadvantages of going unseen by surveillance technologies. We examine notions of visibility and invisibility in the context of AI imaging systems with author and professor Simone Browne, artist Sondra Perry, and artist and academic Mimi Onuoha.
Cover art
In The Age of Total Images, art historian Ana Peraica focuses on the belief that the shape of the planet is two-dimensional which has been reawakened in the late 20th and early 21st centuries, and the ways in which these ‘flat Earth’ conspiracy theories are symptomatic of post-digital image culture. Such theories, proven to be false both in Antiquity and Modernity, but once held to be true in the Medieval Period, have influenced a return to a kind of ‘New Medievalism’. By tracing visual representations of the planet across Western history and culture, Peraica provides support for a media-based explanation behind ...
Cover art
PublisherThe Funambulist2015
This conversation with Caren Kaplan introduces the work she has been conducting for her forthcoming book dedicated to a genealogy of aerial photography (and painting) and its militarization leading to the ‘age of the drone’ we currently experience. We begin with the development of the balloon, the progressive learning necessary to understand this new point of view on the world and the simultaneous success of panorama paintings. We then evoke the creation of the British Board of Ordinance and its survey of Scotland as part of the counter-insurrectionist effort to control the terrain against the Jacobites. We conclude the discussion in ...
Cover art
How did the internet go from the utopian free-for-all, open source heaven, libertarian last frontier to the current state of permanent surveillance, exhibitionism and paranoia? This duplicity is the underlying thread that links the artists, activists, and researchers in The Black Chamber, an exhibition, a symposium, an urban intervention and a publication. The Black Chamber aims at discussing the delicate and often awkward role of art and imagination in the age of mass surveillance, stressing the multiple connections between post-studio art and independent research, grassroots reverse engineering, and new forms of political activism in the age of networks. Not just an exhibition ...
Cover art
PublisherDarkwallet2015
Decentralised Information Black Market ================================================================== "Darkleaks: Decentralised Cryptographic Information Black Market" Scheme by Peter Todd Code by Amir Taaki *Trustless provably fair information marketplace ############################### # WORK IN PROGRESS # ############################### * Distribute an encrypted file to the world. * Reveal some random section of the contents to prove the legitimacy of its contents using an algorithm for provably fair random selection to all parties. * People bid on the remaining parts. * Leaker redeeming funds automatically releases the ...
Cover art
PublisherMeatspace Press2020
In early 2020, as the COVID-19 pandemic swept the world and states of emergency were declared by one country after another, the global technology sector—already equipped with unprecedented wealth, power, and influence—mobilised to seize the opportunity. This collection is an account of what happened next and captures the emergent conflicts and responses around the world. The essays provide a global perspective on the implications of these developments for justice: they make it possible to compare how the intersection of state and corporate power—and the way that power is targeted and exercised—confronts, and invites resistance from, civil society in countries worldwide. This ...
Cover art
dpr-barcelona is an architectural research practice based in Barcelona, dealing with three main lines: publishing, criticism and curating. Their work explore how architecture as discipline reacts in the intersection with politics, technology, economy and social issues. Their publications, both digital and printed, transcend the boundaries of conventional publications, approaching to those which are probably the titles of architecture in the future, exploring the limits between printed matters and new media, transforming traditional publishing practice [as we know it] into a live exchange of knowledge. Their [net]work is a real hub linking several publications and actors on architecture and theory.
Cover art
Publisherdpr-barcelona2016
DRONE is the first issue to be published from the Unmanned, Architecture and Security Series research project and publication series. Drones are unmanned vehicles [UAV]. They are either remotely controlled or, increasingly, autonomously following a pre-programmed mission. Initially, they were developed for use in conflict situations, but the technology also lends itself to a variety of civic purposes, from urban surveillance to monitoring agricultural fields and poaching. UAVs can transport objects, from bombs to books and pizza boxes. In conflict situations they can be used for targeting and killing individuals, but also for providing medical assistance. Drones are cheap to produce and have ...
Cover art
Publishere-flux2011
Surprisingly few people have flinched at the way Osama bin Laden was disposed of. Even for the most wanted man in the world, one imagines that it would have been both ethically and politically more expedient to stage a trial before his execution, similar to the way it was done in the case of Saddam Hussein. But such an expectation would risk overlooking the degree to which, for states and individuals alike, much political activity now takes place outside of official channels and beyond the jurisdiction of formal legal bodies… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Radicalism as Ego Ideal: Oedipus ...
Cover art
Publishere-flux2011
In the February 2009 issue of e-flux journal, Luis Camnitzer suggested in his essay “Art and Literacy” that a core problem in education (particularly for artists) can be traced back to an early stage when one is taught to read and write, in that order. On one level, it is simple common sense to suppose that one can only begin to write after learning how to read. But, at the same time, this ordering also takes for granted that consumption must necessarily come before production—only after you consume knowledge will you then be capable of producing it. It is a fundamental ...
Cover art
Publishere-flux2012
It is hard to avoid the feeling these days that the future is behind us. It’s not so much that time has stopped, but rather that the sense of promise and purpose that once drove historical progress has become impossible to sustain. On the one hand, the faith in modernist, nationalist, or universalist utopias continues to retreat, while on the other, a more immediate crisis of faith has accompanied the widespread sense of diminishing economic prospects felt in so many places. Not to mention the ascension of populist and sectarian orders that now mire many of the popular revolutions of ...
Cover art
Publishere-flux2012
To get rid of violence, you have to get rid of people, Tariq Ramadan once said in an interview. Of course, Ramadan meant this as an impossibility and a warning against overzealous idealism. But what an idea! By getting rid of people completely, we could have totally frictionless surfaces for exchange. Removing the human factor would effectively erase the difference between ethical and unethical behavior, visible and invisible infrastructure, finally relieving the increasingly tedious obligation to explain how political orders function, how economic transactions are guided. Those still living would only need to deal with the end products of systems ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List