Finance

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Capital at the Brink reveals the pervasiveness, destructiveness, and dominance of neoliberalism within American society and culture. The contributors to this collection also offer points of resistance to an ideology wherein, to borrow Henry Giroux’s comment, “everything either is for sale or is plundered for profit.” The first step in fighting neoliberalism is to make it visible. By discussing various inroads that it has made into political, popular, and literary culture, Capital at the Brink is taking this first step and joining a global resistance that works against neoliberalism by revealing the variety of ways in which it dominates and ...
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PublisherAutonomedia2013
The book explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process? If it is indeed possible or desirable, what alternative business models emerge? The book is concerned broadly with business as (artistic) material for reinvention, including critical writing and examples of art/activist ...
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Publishere-flux2017
The modern arrives when the boundaries dividing old and new become sites of struggle in the way that the divide between the sacred and the profane was previously. These distinctions—old/new, sacred/profane—are strategic: they refer to one embedded position in the life-world relative to another. In the October 2017 issue of e-flux journal, Noemi Smolik shows how, within Russia, the deployment of modernizing iconoclasm against the belief systems of Russia’s rural poor confounded distinctions between old and new, sacred and profane, even before the October Revolution and the Russian avant-garde. Aleksandra Shatskikh diagnoses a contemporary symptom of this misrecognition in the attribution ...
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PublisherTulips and Roses2012
Published: November 2012 Design: Joseph Miceli, Lina Ozerkina & Friends Published by: Tulips & Roses, Brussels Format: 16 x 24 cm, 32 pages, soft cover, stapled, Color offset printing Number of copies: 300 Price: 5€ Editors: Aurime Aleksandraviciute, Gintaras Didžiapetris and Jonas Žakaitis publications@tulipsandroses.lt
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Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes. The novel begins with workaday author John Barlow agreeing to ghostwrite a novel about secretive tax havens. Barlow assumes the job will be a no-brainer. But then his eccentric employers, Swedish conceptualist artist duo Goldin+Senneby, ask him to investigate Headless Ltd., a shadowy company with possible links to the French philosopher Georges Bataille, known for his obsession with human sacrifice. Barlow travels to Nassau, Bahamas, the glitzy mecca of offshore finance, and begins ...
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It is a regrettable honor to introduce this essay by Herman Daly. The honor comes from the importance of Daly’s thought, which is fundamental. The overused word is apt here: Daly has supplied a new foundation for economic thought and practice. In a civilization describable as global capitalism, few intellectual contributions are—or, rather, ought to be—of more consequence. As Karl Polanyi pointed out long ago, capitalism represents a new kind society in the span 0f human history; for us, the economy a k a the market hosts the society, rather than the other way around. Daly’s work in ecological economics ...
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PublisherTriple Canopy2020
“We’re unable to pay and, at a certain point, we’re going to need to say: we’re not going to pay!” Debtors assemble to share accounts of predatory lenders and machinic collectors, then ask how to make themselves heard above the speech bought by creditors. A documentary video and a conversation with the organizers.
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PublisherOnCurating.org2013
This issue of OnCurating, Total Abstraction began in 2011 as one of the manifestations of the exhibition project Abstract Possible. The Zurich Test, which was held at White Space in Zurich between May and June 2011. The exhibition was curated by Maria Lind and mediated and produced by students in the ZHdK Postgraduate Programme in Curating. Abstract Possible explored different key characteristics of abstraction – intended as formal, economic and “withdrawal.” It travelled in a variety of forms to different venues, before arriving for its last episode in Stockholm between January 2011 and April 2012, where it was presented at ...
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PublisherThe Volume Project2016
Dear Kris, first I would like to thank you for participating to Unfold as our third guest curator with The Economy is Spinning, a multi-faceted curatorial project on the language of finance and its irrationality. Your Unfold#3 is in fact connected to the exhibition of the same name you have just curated for Onomatopee in Eindhoven and which, as is the case with all Onomatopee’s projects, will also produce a publication. With Unfold the process of translation and transmigration between the exhibition and the publication expands and takes over the space of the digital folder. Could you describe this three-folded relation between the exhibition, the folder and ...
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PublisherThe New Inquiry2017
Sitting somewhere between Minority Report and the OurRevolution PAC, White Collar Crime Risk Zones is a website and app that use machine learning to predict where financial crimes will happen across the U.S.” The app’s system was trained on financial malfeasance reports going back to 1964, and by referencing events with geotagged cartography it can predict financial crimes at the city-block-level with an accuracy of 90.12%. Typically, the logic of predictive policing is applied to ‘street’ level crime (drugs, assault, etc), and has rarely (if ever) been applied to the financial crimes of white collar criminals. Turning the technology on the ...

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