Graphic Design

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◯ is a supercut of all round counters found in Unicode typefaces. Composed first in the summer of 2011 and updated for this 2013 publication, ◯ presents these counters at 60pts and in Unicode order. The text begins with Basic Latin (0025), contains findings in the Private Use Area, and ends in the Variation Sectors Supp. Section (1F773).
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Publisheronestar press2004
Recollection of some of the numerous patterns used by Peter Kogler in his distinctive graphic work.
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Publisheronestar press2003
Angelo Plessas started in 2000 to create web sites as artworks. This book contains most of the illustrations that he created during the period of 2001-2003. Some of these works are not yet published on the web. Angelo Plessas’ works includes web sites for worldwide famous artists and and art centers such as Andreas Angelidakis, Vanessa Beecroft, Miltos Manetas, Armin Linke, Xavier Veilhan, Carsten Holler.
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Publisheronestar press2008
Monday first of January two thousand seven. Tuesday second of January two thousand seven. Wednesday third of January two thousand seven. Thursday fourth of January two thousand seven. Friday fifth of January two thousand seven. Saturday sixth of January two thousand seven. Sunday seventh of January two thousand seven…
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Publisheronestar press2014
Based on 150 characters contained within a single phrase, Alexander May has transcribed each character onto linoleum engravings to create a set of unique prints for each letter and stretching this text across the bound parameters of a onestar press book. By the artist’s hand, this investigation focuses upon the economy of the printed page—the space and value of content—expanding past the limitations of a single phrase upon the page.
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Publisheronestar press2016
R34D WH47 I7 54Y5 1N 7H3 5T4R5. JU57 R34D WH47 I7 54Y5. C0UN7 7HE 5T4R5. D4NC3 W17H 7H3 5T4R5. 5T4R 7HE 5T4R5. 4ND C0UN71NG. 4ND 5T4RR1NG. FU7UR3 PLU5 P3RF3CT F0R3V3R. 84CK 15 U9. D0WN 15 0V3R. FUCK 7H3 5T4R5. FML. 7H3 3ND.
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PublishersInventory PressO-R-G2020
A *New* Program for Graphic Design is a DIY textbook that synthesizes the pragmatic with the experimental to convey advanced graphic design principles in an understandable form for students of all levels as well as general readers. Rooted in three courses (Typography, Gestalt, and Interface) originally developed for liberal arts students at Princeton University, the book provides a broad introduction to graphic design and visual literacy, from Benjamin Franklin to Bruno Munari, Moholy-Nagy to Muriel Cooper and the Macintosh computer. Through a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide ...
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PublishersInventory PressO-R-G2020
A *Pre-* Program for Graphic Design is a video-based companion to A *New* Program for Graphic Design, a DIY textbook that synthesizes the pragmatic with the experimental to convey advanced graphic design principles in an understandable form for students of all levels as well as general readers. Based on courses originally developed for liberal arts students at Princeton University, the book was derived from a three-day lecture series held in Los Angeles, delivered to a live studio audience and video recorded. The result is a broad introduction to graphic design and visual literacy, covering a wide range of topics, from Benjamin ...
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Publisheronestar press2008
A horizontal expansion followed by a vertical contraction of a Microsoft Excell cell. This book is made with Microsoft Excel. It can be opened and read from both sides with varying results and titles. In both cases cells evolve from thinnest possible lines to standard width squares and back to lines again, creating a zig-zag trace of movement. In the middle of the book the expansion changes to a contraction and the zig-zag causes a 90-degree change in orientation.
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Invited to Stockholm in spring of 2015 to work with the graduating MA and BA students of the Royal Institute of Art on “making a publication,” the two foreign editors of A:Art (Stuart Bailey and Angie Keefer) instead found themselves swept into the death throes of a decades-old struggle between rival institutions over the current identity and possible future of a national art scene. The book is a chronological account of events that unfolded among the Academy, the art school, its students, assorted government ministries, and the Swedish press, with accompaniment from various outside texts, including Raymond Williams’ Keywords, an ...
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Alternative lexicons, sonification of thought, cultural software, hauntologies and political bodies, are some of the possibilities that are offered here as a means to contribute to a renewed set of ideas towards design agency. Presented here as both lecture and prompts, sections may be read aloud as scripts, as action with others; or single pages torn out to become a tactic for experimentation; or an image to evoke a totem of belief that might interact with others. Active Agency is a series of speculative lectures on design as an agentive phenomena encompassing language, matter, ontology and sound. Supported by Research at Camberwell, ...
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